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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
女人們的談話
魯妮·瑪拉,朱迪思·愛薇,艾米麗·米切爾,凱特·哈萊特,麗芙·麥克尼爾,克萊爾·芙伊,希拉·麥卡錫,杰西·巴克利,米歇爾·麥克勞德,基拉·古洛安,莎伊拉·布朗,弗蘭西斯·麥克多蒙德,薇薇安·安迪克特·道格拉斯,本·衛(wèi)肖,奧古斯特·溫特,洛克蘭·雷·米勒,納撒尼爾·麥克帕蘭德,威爾·寶,伊里·哈姆,艾米麗·德雷克,馬庫(kù)斯·克雷格,卡羅琳·吉利斯來(lái)自與世隔絕的宗教社區(qū)的婦女們努力使她們的現(xiàn)實(shí)與她們的信仰相協(xié)調(diào)。通過背景故事，我們看到一個(gè)婦女社區(qū)聚集在一起，研究如何共同前進(jìn)，為她們自己和她們的孩子建立一個(gè)更美好的世界。要么留下來(lái)戰(zhàn)斗，要么離開。她們不會(huì)什么都不做。
無(wú)情的城市
金錫勛,趙成夏,徐英姬2012韓國(guó)電影《無(wú)情的城市》堪稱“韓國(guó)版《撞車》”，以9個(gè)人物為中心，講述他們?cè)?4小時(shí)內(nèi)發(fā)生的連環(huán)悲劇。李基英在片中飾演一位放高利貸的放債人，他放貸給面臨破產(chǎn)危機(jī)的金大宇(金石勛飾)，在金大宇沒能力償還高利貸后李基英就以此為借口威脅金大宇說要摘除他的臟器。特別是李基英在殺死自己的妻子后，當(dāng)他被指定為嫌疑人接受調(diào)查時(shí)面不改色、處變不驚、泰然處之的演技表現(xiàn)，令人感到毛骨悚然。
安昂傳奇：最后的氣宗
戴夫·巴蒂斯塔,史蒂文·元,關(guān)繼威,杰西卡·馬滕,塔伊加·維迪提,迪·布萊德利·貝克,杰拉爾丁·維斯瓦納坦,羅曼·薩拉戈薩,芙蕾達(dá)·平托,南允道,佩塔·薩金特,Dionne Quan派拉蒙和尼克宣布“降世神通”系列開發(fā)三部新的電影，仍是動(dòng)畫形式。第一部由《降世神通：最后的氣宗》導(dǎo)演Lauren Montgomery執(zhí)導(dǎo)，《最后的氣宗》主創(chuàng)Bryan Konietzko和Michael DiMartino擔(dān)任制片人。
九龍大眾浪漫真人版
吉岡里帆,水上恒司,龍星涼,柳俊太郎,梅澤美波,花瀨琴音 ,フィガロ?ツェン,山中崇,サヘル?ローズ,關(guān)口曼迪,島田久作本片改編自同名漫畫，講述了在充滿懷舊氣息的街道·九龍的不動(dòng)產(chǎn)公司工作的鯨井令子和她心儀的職場(chǎng)前輩·工藤發(fā)之間交織而成的懸疑愛情羅曼史。故事由令子偶然發(fā)現(xiàn)一張照片，得知工藤過去有個(gè)和自己長(zhǎng)得一模一樣的未婚妻開始...
養(yǎng)鬼吃人9：?jiǎn)⑹句?/h3>史蒂文·布蘭德,丹尼爾·布蘭,Jolene Andersen
某個(gè)晴朗假日，美國(guó)青年尼克（Jay Gillespie 飾）和好友史蒂文（Nick Eversman 飾）驅(qū)車穿越國(guó)境線，打算前往墨西哥的提華納尋找一次絕佳的艷遇。他們很快便鎖定了一個(gè)性感尤物，但是突如其來(lái)的意外讓二人的狂歡設(shè)想灰飛煙滅。正當(dāng)他們垂頭喪氣之際，某當(dāng)?shù)厝怂徒o二人一個(gè)精致的魔方。尼克和史蒂文的命運(yùn)就此改寫，他們也有如人間蒸發(fā)一般消失?！ ∧峥撕褪返傥牡氖й櫧o各自家人莫大的打擊，在一次家庭聚會(huì)中，艾瑪（Tracey Fairaway 飾）從兩人的行李中找到了那枚魔方，而渾身是血的史蒂文也突然出現(xiàn)在房間內(nèi)。家人們對(duì)此感到驚奇喜悅，卻不知道丁頭鬼的魔爪正慢慢伸向他們……