劇情簡介
罩杯美女大胸部色情明星，主演長澤梓從東京暫無內(nèi)容onkou。暫無內(nèi)容快樂的直子妻子婚后生活，麗娜擔(dān)心跟蹤受害人從一位前同事，加藤。暫無內(nèi)容一天，被強(qiáng)奸到加藤直子贏得亞軍。暫無內(nèi)容然而，正在醞釀著可怕陰謀的幕后。
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尸骨袋1
皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內(nèi)爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗《尸骨袋》改編自斯蒂芬·金（Stephen King）的同名恐怖小說?！ 充N小說作家Mike Noonan（皮爾斯·布魯斯南 Pierce Brosnan 飾），在妻子Jo(安娜貝絲·吉什 Annabeth Gish 飾)死后，無法走出悲痛的深淵。他不斷地夢到和Jo一 起購買的緬因州湖畔別墅，夢到裝在袋子里的腐爛尸骨，夢見Jo也從裹尸袋中奔跑而出。終于他在Jo的召喚下回到了那棟詭異的別墅。在那里，他卷入了一樁年輕美貌寡婦與家財(cái)萬貫的祖父對小女孩的撫養(yǎng)權(quán)爭奪戰(zhàn)，并不時(shí)遭遇神秘鬼魂的騷擾。那些不斷升級的噩夢，還有神秘鬼魂的騷擾，都讓他意識到，這個小鎮(zhèn)隱藏著一些秘密，而死去的Jo也有事情想要告訴他……
洛特DR1
Christian Kapper,Natalie Welch,Thomas E. Nicholson16歲的男孩基奇(Kitch)身在的城市經(jīng)歷了毀滅性的災(zāi)難，過半的人口失蹤和死亡。天空上到處是無人機(jī)，奇怪的是這些無人機(jī)是有自主意識的，它們脫離人類的控制，與人類展開對抗。男主角在尋找父親的過程中無意間知曉了可以在人體植入某種物質(zhì)的密集，在一連串遭遇后帶著他的無人機(jī)加入了一個叫DR1的組織，然后各種開掛用人控?zé)o人機(jī)打無人機(jī)的故事。
健聽女孩
艾米莉亞·瓊斯,特洛伊·科特蘇爾,瑪麗·瑪特琳,丹尼爾·杜蘭特,歐赫尼奧·德爾維斯,福迪亞·瓦爾什-匹羅,艾米·福賽思,凱文·查普曼,約翰·菲奧里,朗尼·法默,科特蘭·瓊斯,莫莉·貝絲·托馬斯,阿雅娜·布朗,杰森·普加奇,基亞娜·法內(nèi),安尼莉·利斯特,史蒂芬·卡利斯坎,何塞·岡斯·阿爾維斯,歐文·伯克,梅利莎·麥克米金,埃里卡·麥克德莫特,瑪麗·安·紹布,莎拉·克拉克,大衛(wèi)·紐森,大衛(wèi)·布肯德爾,理查德·錢德勒,羅布·勒維克,琪拉·皮查多美麗的高中女孩露比·羅西（艾米莉亞·瓊斯 Emilia Jones 飾）出生于一個極不尋常的漁民家庭，她的父母和哥哥天生聾啞，只能通過手語交流。而健康無恙的露比既是幸運(yùn)的，卻也是不幸的。她擔(dān)任了家人和外界交流溝通的橋梁，為此承受了諸多的歧視和嘲笑。這期間，只有好閨蜜戈蒂（艾米·福賽思 Amy Forsyth 飾）是她最堅(jiān)定的支撐。因?yàn)橄矚g男孩邁爾斯（福迪亞·瓦爾什-匹羅 Ferdia Walsh-Peelo 飾），露比報(bào)名參加校合唱團(tuán)，而天資穎悟的很快得到了負(fù)責(zé)老師的賞識。在此之后，露比頻繁奔波于合唱團(tuán)和家族之間，她渴望前往伯克利追求音樂夢想，而這勢必要和對她無比依賴的原生家庭分隔兩地。露比為此深深焦慮……本片根據(jù)真實(shí)事件改編。
利益區(qū)域
克里斯蒂安·富里道爾,桑德拉·惠勒,約翰·卡特豪斯,拉爾夫·赫爾福特,弗雷婭·克羅伊茨卡姆,馬克斯·貝克,伊摩根·蔻格,斯蒂芬妮·佩特羅維茨,拉爾夫·齊爾曼,瑪麗·羅莎·提特言電影講述了奧斯維辛集中營的指揮官魯?shù)婪颉せ羲购退钠拮雍５罗备裨诩袪I旁的一所房子里和花園中為他們的家庭打造夢想生活的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
朱橘
朝代更迭、戰(zhàn)亂四起，國家外臨強(qiáng)敵、內(nèi)遭瘟疫。流民孤兒顧小樹與王爺世子李逸自幼相伴，情誼深厚。不料王爺突下追殺令，李逸迫于身份，只得暗中護(hù)送男主逃離城邦，并忍痛割席斷交反目。男主在林中遭人伏擊，幸得女箭客相救，同時(shí)有黑衣人透露其身世線索。為探尋真相，二人結(jié)伴踏上旅途，逐步揭開隱藏在追殺令背后的驚天仇恨與隱秘過往。
西關(guān)大屋
娜仁花,鄔靖靖,李琦廣州末代西關(guān)小姐潘夢蝶，曾是一位絕代佳人，如今住在西關(guān)大屋中。在將近一個世紀(jì)的時(shí)間長河里，她堅(jiān)守著自己的愛情，堅(jiān)守著家族的秘密，堅(jiān)守著屬于她自己的祖屋……社區(qū)民警馬思鵬是一位身手矯健、頭腦聰穎、樂于助人的人民警察。他接到了一樁名為“代號西關(guān)小姐”的涉毒案件。在調(diào)查的過程中，馬思鵬結(jié)識潘夢蝶及其后人葉伊西。隨著案件的深入，許多不為人知的秘密隨之解開，一場關(guān)于警民、親情、血緣等復(fù)雜情感的生死較量即將展開……