霜花店
《雙花店》改編自高麗時(shí)期的文學(xué)作品，講述了高麗國王、美少年組成的親衛(wèi)隊(duì);健龍衛(wèi)隊(duì)長、漂亮的王妃之間上演的漂亮而又危險(xiǎn)的有關(guān)噯情與背叛的故事。 和王（朱鎮(zhèn)模飾）的一起長大的健龍衛(wèi)侍衛(wèi)隊(duì)統(tǒng)領(lǐng)洪麟因在戰(zhàn)場上的出色表現(xiàn)而深得王的寵信，洪麟不僅負(fù)責(zé)王的安全保衛(wèi)工作，平日還時(shí)常出入寢宮侍侯王的生活，兩人的親熱關(guān)系成為朝廷里公開的隱秘。不久，洪麟順從王的指示愛惜王妃（宋智孝飾），甚至與王夫妻三人同榻。貌美的元朝王妃與王沒有噯情，也無子女，在與洪麟的頻繁接觸后被后者所深深吸引，第一次感受到女人的噯的洪麟也慢慢疏遠(yuǎn)王。洪麟和王妃的關(guān)系很快被王察覺，并引起了王可怕的嫉妒。一方受到元朝壓迫，想改變國家命運(yùn)，另一方陷入到私人感情的旋渦中的王和洪麟、王妃何去何從？
即刻觀影
劇情賞析
編輯推薦
沼澤怪物2
路易斯·喬丹,海瑟·洛克萊爾,莎拉·道格拉斯,迪克杜洛克一生化公司在沼澤地做各種人體實(shí)驗(yàn)，當(dāng)年被化學(xué)感染的博士住在此處伸張正義！
鬼馬朱唇
蔡楓華,王青,古珍珍,李玄麗音樂家西門(蔡楓華飾)生性風(fēng)流不羈，乘帶領(lǐng)樂團(tuán)赴韓演奏之便，探望開設(shè)跆拳道館之好友大口(王青飾)。大口投其所好，贊成他在韓國盡情開心，唯獨(dú)不能打其妹阿淑(李玄麗飾)主意。但機(jī)緣巧合之下西門巧遇阿淑，一見鐘情，阿淑更以身相許。誰知西門對(duì)阿淑只是抱玩弄心情，西門假稱要返香港，實(shí)則回到大口處向其炫耀其風(fēng)流史。恰巧阿淑來到探望兄長，聞言傷心欲絕，大口卻氣到七竅生煙。淑獨(dú)自躲到雪山，西門冒雪崩危險(xiǎn)尋覓阿淑。結(jié)果，兩人幾經(jīng)艱辛脫險(xiǎn)后，有情人終成眷屬。
黑羊
克里斯·法利,David Spade,Tim MathesonAl（提姆·麥錫森 Tim Matheson 飾）是個(gè)十分被看好的州長候選人，很怕因?yàn)樗谋康袄系躆ike（克里斯·法雷 Chris Farley 飾）蒙羞，于是雇了Steve（大衛(wèi)·斯佩德 David Spade 飾）來看管Mike以免他出什么亂子，從這一刻起就狀況百出、 笑料不斷?！ ∪拖袷且粋€(gè)喜劇大雜燴，讓您捧腹大笑，跌破眼鏡。
捍衛(wèi)時(shí)空戰(zhàn)士
雷·利奧塔,蘭斯·亨利克森,斯圖亞特·維爾森,凱文·狄龍,凱文·J·奧康納,伊恩·麥克尼奇,杰克·謝菲爾德,邁克爾·勒納,埃涅·赫德森,Don HendersonRobbins is sentenced to prison for the assassination of his general officer, a prison you leave only when you die. Since nobody ever leaves the prison, nobody knows what the prison is like. The prison manager realizes this and buys himself an island playground called "Absolom," where the worst prisoners are free to create an isolated barbaric society, and where the strongest men rule...a living hell. Robbins is sent to Absolom after he almost kills the prison manager.
沉默的鏡像
蒂莫西·赫頓,費(fèi)爾南多·古林·庫弗,米格爾·安赫爾·西爾維斯特這是一部B級(jí)的驚悸片領(lǐng)銜主演的是曾獲得奧斯卡獎(jiǎng)的蒂莫西·赫頓. 歐洲警察特工Tom Brindle（由蒂莫西·赫頓扮演）負(fù)責(zé)調(diào)查Pygmalion的案件,這家伙在 法國和西班牙殺害了很多女孩，是一個(gè)連環(huán)殺手... @幕后 蒂莫西·赫頓在1980年羅伯特·雷德福（Robert Redford）導(dǎo)演的第一部影片《凡夫俗子》（Ordinary People）中扮演一位企圖自殺年輕人，他敏感、細(xì)致入微出色表現(xiàn)為贏得了包括奧斯卡最佳男配角獎(jiǎng)內(nèi)多項(xiàng)表演獎(jiǎng)當(dāng)時(shí)還不滿20歲
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.