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Liyana Jasmay大明嬪妃之攻心
宋洋,何杜娟,關(guān)慧卿,陳一諾索蕾:來自未來的妻子
希拉·達(dá)拉·艾莎,迪翁·維約科,David Gojkovic藍(lán)調(diào)天后
維奧拉·戴維斯,查德維克·博斯曼,科爾曼·多明戈,格林·特魯曼,邁克爾·波茨,杰里米·薩默斯,約翰尼·科瓦內(nèi),泰勒·佩奇,杜山·布朗,約書亞·哈爾托,奎因·范安特衛(wèi)普,克洛伊·戴維斯,梅特·納塔利奧,約翰娜·埃爾米納·莫伊茲,Onyxx Noel,詹姆斯·西耶斯基,威廉·卡尼亞美國暴力
布魯斯·鄧恩,丹妮絲·理查茲,凱維·萊曼-默塞尤,哥倫布·紹特,羅布·格隆科夫斯基,邁克爾·帕爾,約翰尼·梅辛納,愛瑪·里格比,尼克·齊蘭德,帕特里克·基爾帕特里克,邁克爾·約翰·朗,米歇爾·圣托彼得羅,威洛·黑爾嚴(yán)懲
瑞恩·菲利普,泰格·諾塔洛,喬伊芙·德雷克,Hakim Callender,詹姆斯·杜蒙特,Stephen Louis Grush,拉斯·拉索,Ian Barford,Ramona Tyler,Skipper Landry,Heidi Brook Myers,Michael Boyne,Forrest Forte,Katie Sills,Zac Cino同類推薦
雙生2022
泰莉莎·帕爾墨,史蒂芬·克里,芭芭拉·馬滕,Tristan Ruggeri,Ergo Küppas瑞秋(泰莉莎·帕爾墨 Teresa Palmer 飾)和安東尼(史蒂芬·克里 Steven Cree 飾)本來擁有一個幸福的家庭,兩人共同撫養(yǎng)著上天恩賜給他們的一對可愛的雙胞胎,一家人生活在平和與其樂融融的氣氛之中。哪知道,一場突如其來的災(zāi)難在迅雷不及掩耳之際襲擊了這個家庭,雙胞胎中的哥哥不幸喪生,剩下的人則要體味無窮無盡的痛苦?! 榱藬[脫陰暗的過去,盡快走進(jìn)新的生活,瑞秋和安東尼決定舉家遷往寧江的鄉(xiāng)村小鎮(zhèn),在那里修復(fù)這個支離破碎的家庭,誰知道沒過多久,種種異象便發(fā)生在了幸存的弟弟艾略特(Tristan Ruggeri 飾)身上,艾略特告訴父母,死去的哥哥并沒有離開,而是一直糾纏和困擾著他。
印度超人
佩麗冉卡·曹帕拉,赫里尼克·羅斯?jié)h,納薩魯丁·沙延續(xù)了印度英雄羅希的故事:羅希得到外星人所賦予的超能力與智慧后,邂逅了一位美麗女子并生下兒子克里許那。然而因為一場交通意外,克里許那失去了雙親,和祖母相依為命?! ‘?dāng)克里許那長大成人后,他發(fā)現(xiàn)自己除了從父親身上遺傳了俊俏臉龐外,竟同時擁有超能力,而這種力量將會改變他的一生。一次偶遇,克里許那愛上從新加坡來的少女琵莉亞,其后琵莉亞回國,克里許那傷心不已,祖母便建議他到新加坡去追尋自己的真愛。 一晚,克里許那與琵莉亞去欣賞一個馬戲團(tuán)表演,卻發(fā)生了大火,堵住了所有的出口,把觀眾和馬戲團(tuán)團(tuán)員都困在帳棚里。絕望的觀眾在火場中只能期待渺茫的奇跡。此時,克里許那馬上化身為奇魔俠并發(fā)揮了他強(qiáng)大的力量,拯救了所有在場的人?! 〗?jīng)此一役,克里許那領(lǐng)悟到他強(qiáng)大力量的背后,背負(fù)著保護(hù)大眾的宿命,而這個宿命的最終任務(wù),就是對抗邪惡博士,阻止他控制世界的駭人計劃……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
食人之饑
馬克-安德烈·格隆丁,莫妮亞·肖克里,Charlotte St-MartinIn a small, remote village in upstate Quebec, things have changed. Locals are not the same anymore - their bodies are breaking down and they developed an outlandish attraction for flesh.
坐穩(wěn)車,泰欣娜
卡蒂·奧廷寧,Kirsi Tykkyl?inen,馬蒂·佩龍帕這是一部寓言般,反浪漫的公路電影,男青年瓦爾特是個裁縫,每天幫著母親縫制衣服,可是他向往外面的世界,于是他乘著母親不備將母親鎖進(jìn)屋子并偷了母親的錢物找了一個哥們駕車兜風(fēng),在路上遇見了來旅游的泰欣娜和其女友,他們四人結(jié)伴而行,沉默寡言的兩個男人和隨心所欲的兩個女人產(chǎn)生許多 戲劇沖突,他們一起住店,一起聽搖滾音樂會,折騰許久以后,瓦爾特決定回家,回家后他若無其事地坐回縫紉機(jī)邊繼續(xù)他的裁縫生涯,仿佛一切未曾發(fā)生過。