癡情
簡(jiǎn)（格列塔?斯卡奇暫無(wú)內(nèi)容Greta暫無(wú)內(nèi)容Scacchi暫無(wú)內(nèi)容飾）是英國(guó)影壇新人，受邀參演小制作電影，十分高興，父親陪她來(lái)到了羅馬。拍戲期間，身為娛記的父親希望采訪(fǎng)男主角艾里奧森（彼德?考約特暫無(wú)內(nèi)容Peter暫無(wú)內(nèi)容Coyote暫無(wú)內(nèi)容飾），卻遭到拒絕，后者的傲慢激怒了簡(jiǎn)，她以罷演與之抗衡。此舉讓艾里奧森大為震驚，他主動(dòng)跟簡(jiǎn)道歉，還破例接受了采訪(fǎng)。這讓他贏得簡(jiǎn)的芳心，但簡(jiǎn)后來(lái)發(fā)現(xiàn)艾里奧森竟是有婦之夫，便傷心地離開(kāi)了羅馬，回到了男友身邊。而艾里奧森也跟妻子蘇珊（杰米?李?柯蒂斯暫無(wú)內(nèi)容Jamie暫無(wú)內(nèi)容Lee暫無(wú)內(nèi)容Curtis暫無(wú)內(nèi)容飾）吵了架，來(lái)到了巴黎。兩人再次相遇，激情依舊，完全不理會(huì)周遭的世界。蘇珊曾試圖挽救婚姻，但艾里奧森模棱兩可的態(tài)度，讓她的努力付諸東流。簡(jiǎn)耐心地記錄著兩人的緣分，但此時(shí)卻傳來(lái)了母親病危的消息……
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最后一根稻草
杰瑞米·西斯托,杰西卡·貝爾金,格倫·古爾德,Levon Panek,Tara Raani,Jack DiFalco,泰勒·科瓦爾斯基,Sebastian Delascasas,Christopher M. Lopes,Brian Wolfe,Kayla Harrity,Michael Giannone,Joji Otani-Hansen在父親的小餐館發(fā)生了可怕的案件后，Nancy決定獨(dú)自值完當(dāng)晚的最后一班來(lái)收拾殘局。但她不知道，自己并非孤身一人，她必須在漫漫長(zhǎng)夜中為自己的生命而戰(zhàn)。
禁果
莉莉·萊因哈特,羅拉·董,加布里埃爾·尤尼恩,維多利亞·佩德雷蒂,亞歷山德拉·希普,大衛(wèi)·皮納德,奧斯汀·鮑爾,艾瑪·張伯倫,查理·亨利·拉爾森,西德哈特·沙瑪,海莉·莎莫,Caroline Vartanian,喬丹·杜阿爾特,Jeff Sinasac,Katherine Cruz在一家名為“自由伊甸園”的商店里。店員“蘋(píng)果”、“櫻桃”和“無(wú)花果”私下維持著一個(gè)神秘的女巫社團(tuán)，而新入職店員“南瓜”的出現(xiàn)，開(kāi)始讓這份姐妹情誼遭受質(zhì)疑。面對(duì)新人的挑戰(zhàn)，這群各懷鬼胎的女性不得不直面潛藏心底的幽暗，沖突也隨之演變成血腥的暴力。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
尋愛(ài)之旅
麥克·辛,馬克·阿蒂,吉姆·卡特,馬克·斯特朗熱愛(ài)射飛鏢的柯林看店為業(yè)，為了贏回紅杏出牆的妻子芳心，他跳脫常軌，離開(kāi)熟悉的故鄉(xiāng)，橫越全國(guó)。當(dāng)他經(jīng)過(guò)美麗的高山地區(qū)，來(lái)到碎石嶙嶙的黑池時(shí)，連著遇到一些人和事，改變了他的新生活。是一部好笑又非常人性的影片。
利刃出鞘2
丹尼爾·克雷格,愛(ài)德華·諾頓,加奈兒·夢(mèng)奈,凱瑟琳·哈恩,小萊斯利·奧多姆,凱特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨維克,瑪?shù)铝铡た巳R因,諾阿·西甘,杰姬·霍夫曼,達(dá)拉斯·羅伯特斯,伊?！せ艨?休·格蘭特,史蒂芬·桑德海姆,安吉拉·蘭斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜爾-賈巴爾,塞蕾娜·威廉姆斯,馬友友,約瑟夫·高登-萊維特,丹·查里頓,艾迪·戈羅杰茨基,亞當(dāng)·達(dá)文波特,詹姆斯·佩頓,杰克·塔珀科技業(yè)億萬(wàn)富翁邁爾斯·布朗（愛(ài)德華·諾頓 飾）邀了幾位感情深厚的摯友到他的希臘私人小島渡假，不料卻有人命喪于此！這座世外桃源原來(lái)并不如想像中美好。命案既出，大偵探布蘭科（丹尼爾·克雷格飾）此時(shí)不出馬更待何時(shí)？且看他如何解開(kāi)重重謎團(tuán)！
印度超人3
赫里尼克·羅斯?jié)h,瑞哈,莉婭·森,Priyanka Chopra,維克·奧貝歐 Vivek Oberoi,Rajpal Yadav,Kangana Ranaut在擊敗了邪惡的博士，救回了父親洛赫特（赫里尼克·羅斯?jié)h Hrithik Roshan 飾）之后，克里希那（赫里尼克·羅斯?jié)h Hrithik Roshan 飾）和戀人普瑞雅（樸雅卡·喬普拉 Priyanka Chopra 飾）總算攜手步入了婚姻的殿堂，過(guò)上了平靜而又幸福的生活。而洛赫特利則用他的聰明才智制作了很多造福社會(huì)的發(fā)明?！ ∪欢?，大家都沒(méi)有想到的是，在一片平靜祥和的氣氛之下，邪惡亦在慢慢滋生。一個(gè)名叫卡爾（維克·奧貝歐 Vivek Oberoi 飾）的邪惡天才，正在利用他的智慧組建一直非常危險(xiǎn)的軍隊(duì)，企圖給人類(lèi)帶來(lái)前所未有的危機(jī)。當(dāng)克里希那挺身而出和卡爾展開(kāi)對(duì)抗時(shí)，他并不知道，此次，為了保護(hù)世界的和平，他將付出比以往多得多的代價(jià)。