美味的媽媽

★ 9.8 播放:64萬 更新:2026-04-27
主演:李采潭 李恩美 

李恩美飾演繼母,李采潭飾演媽媽朋友,講述兩位性感熟女與男主的香艷經(jīng)歷,雖然繼母有了男情人,但是無法抑制對兒子的幻想,而兒子對她也是垂涎三尺,而此時,媽媽的朋友也插入了這段不倫的母子情....   

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李恩美飾演繼母,李采潭飾演媽媽朋友,講述兩位性感熟女與男主的香艷經(jīng)歷,雖然繼母有了男情人,但是無法抑制對兒子的幻想,而兒子對她也是垂涎三尺,而此時,媽媽的朋友也插入了這段不倫的母子情....   

導(dǎo)演精選

感染她嘴唇的欲望2025

本片改編自寄田みゆき創(chuàng)作的同名漫畫。伊藤早奈是一個可愛的女高中生,生活充滿了快樂,但從未體驗過戀愛的感覺。因為車禍住院的早奈,在醫(yī)院里被一個非常漂亮的女生吸引了。于是,一段青澀甜蜜的戀愛開始了!

這個阿爸真爆炸

  任慕英(梁家輝 飾)是一個單親爸爸,以教授鋼琴來撫養(yǎng)女兒Ellen(蔡卓妍 飾)長大??墒桥畠荷螧and 5后就變得越來越不聽話,令任慕英十分擔(dān)心。Ellen一直覺得爸爸十分“娘娘腔”,覺得自己就算有什么麻煩,爸爸也是不可靠的人。Ellen的同學(xué)都誤會了她的爸爸是個江湖高手——慕夜飛鷹,相繼要求拜為師傅,此時Ellen才對爸爸改觀。但任慕英被誤以為是絕招的身手,不過是在照顧女兒的時候練出來的。  女兒開始覺得爸爸老了,可她還是到處惹禍,更被慕夜飛鷹的仇家脅持,任慕英為了救回女兒,獨自女兒被困的地方……

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.