影片推薦
三天
樸新陽(yáng),李民基,李來(lái)18歲的青春
全昭旻,金度延,秋昭貞,樸瑞妍,宋智妍貝爾女巫縈繞
Marissa Lynne Johnson,Laura Alexandra Ramos,Cat Alter,Natalie Burtney,Drew Cash,Julia Cearley,M. Steven Felty,Drew Hellenthal,Desi Ivanova,Benjamin James,Ted Jonas,Jason Kakebeen,丹妮·洛朱,James Simenc零食小屋
加布·拉貝爾,David Costabile,米卡·阿卜杜拉交響詩(shī)篇超進(jìn)化2
汽車旅館人生
Emile Hirsch,達(dá)科塔·范寧同類精選
劫車王
佐伊·馬奇爾,弗蘭克·蓋思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·貝茨,米蘭妮·讓帕諾米,Zoé Diowo-Ceccaldi,Florence Fauquet,喬納森·德繆杰,阿利克斯·貝納澤什,帕斯卡爾·艾爾索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes最佳拍檔4:千里救差婆
許冠杰,麥嘉,張艾嘉,葉倩文,王嘉明,石堅(jiān),關(guān)德興,曹達(dá)華,喬宏玉蝎子的魔咒
John Tormey,伍迪·艾倫,海倫·亨特,查理茲·塞隆,丹·艾克羅伊德,伊麗莎白·伯克利彼岸2025
瑟比耶·比赫緹婭,弗雷德·赫辛格,Alicher Adill,伊麗努爾·艾爾肯,Erden Uyghur,Esther Chen,Celine Cheung,杰西卡·馬,Whitney Chi,Winnie Guo,Ella Rouwen Chen,加布里埃爾·弗曼,Joshua De Jesus,Divina Ito,Justin Cotta,Jasmin Richardson,Tien-Li Wu,熊琳,瑪瑞娜·卡貝洛,Austin Owens Kelly致命玩笑2
凱歌香檳
娜塔莎·奧基弗,海莉·貝內(nèi)特,湯姆·斯圖里奇,本·邁爾斯,里奧·蘇特,薩姆·賴?yán)?保羅·瑞斯,卡拉·西摩,克里斯·拉金,安森·布恩,伊恩·克寧漢,塞西莉·克利夫,Joseph Rapp,David Emmanuel影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瘋狂侏羅紀(jì)
梅蘭尼·格里菲斯,簡(jiǎn)·林奇,威廉·鮑德溫在6500萬(wàn)年前的侏羅紀(jì)世界,三個(gè)長(zhǎng)相怪異的“恐龍寶寶”破殼而出,把霸王龍媽媽的生活攪得一團(tuán)糟。為救恐龍寶寶,恐龍媽媽落入陷阱被敵人圍攻。正在危機(jī)時(shí)刻,6500萬(wàn)年后的“援軍”帶領(lǐng)一只恐龍寶寶從天而降,與搶奪恐龍蛋的帝王鱷上演了一出霸道媽媽與恐 龍寶寶的爆笑合家歡大戲.......
校園往事
宋欣諾,吳長(zhǎng)浩,陽(yáng)院生,王海卓,陳升衛(wèi)單純善良的女主人公(陳夢(mèng)曦)踏入了渴望已久的美麗高中校園。霸道頑皮的男主人公(陸晨)對(duì)陳夢(mèng)曦一見(jiàn)鐘情,因?yàn)槔钭榆幨顷悏?mèng)曦的同桌,而且他與陳夢(mèng)曦、梁燕形影不離,所以陸晨對(duì)李子軒有意見(jiàn)。陸晨與他朋友們經(jīng)常整蠱欺負(fù)李子軒,一次在操場(chǎng)上陸晨和他朋友一起把李子軒給揍了。善良樂(lè)于助人的陳夢(mèng)曦與梁燕知道后,決定幫助他們化解矛盾,通過(guò)接觸與了解,陸晨與李子軒及陳夢(mèng)曦、梁燕之間的友誼逐漸形成。一天晚上,梁燕去參加朋友的生日晚會(huì)后,被人綁架了,陸晨與陳夢(mèng)曦、李子軒及他的幾個(gè)朋友拿錢去解救梁燕,他們與劫匪打了起來(lái),他們?nèi)勘唤俜舜虻?,關(guān)鍵時(shí)刻,班主任帶保安隊(duì)長(zhǎng)來(lái)到,經(jīng)過(guò)一番激烈搏斗,最終保安隊(duì)長(zhǎng)制服了劫匪。
動(dòng)物僵尸2
Jonathon Buckley,Jarrid MasseA game ranger arresting poachers ends up saving their lives when zombie animals attack them in the jungle. Now surrounded, the game ranger and poachers forge uneasy alliance to stop the beasts before the super-zombie virus spreads to entire world.