孽海親情

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

精靈寶可夢(mèng)：冥王龍與冰空的花束雪米

 “反轉(zhuǎn)世界”是存在于這個(gè)世界內(nèi)部的鏡子般不可思議的世界。那個(gè)美麗而規(guī)則的世界，是騎拉帝納棲居的特殊空間。然而帝牙盧卡和帕路奇犽的戰(zhàn)斗造成了時(shí)空的扭曲，“反轉(zhuǎn)世界”也因此完全被陰霾籠罩。由于自己的世界被污染而被激怒的騎拉帝納找到了帝牙盧卡，并想將其拖入反轉(zhuǎn)世界中。 　　“現(xiàn)實(shí)世界”，在繼續(xù)旅行的小智和皮卡丘一行的面前出現(xiàn)了一個(gè)小小的，幾乎看不見(jiàn)的精靈。那是有“花媚”之稱的感謝神奇寶貝潔咪。被卷入帝牙盧卡和騎拉帝納的戰(zhàn)斗的潔咪在千鈞一發(fā)之際從反轉(zhuǎn)世界逃出。小智一行帶著精疲力竭的潔咪前往神奇寶貝中心。 潔咪用心電感應(yīng)將小智一行帶到了它的“葛拉西蒂亞花(グラシデア)花田”，并告訴他們?cè)谶@“葛拉西蒂亞花”中隱藏著巨大的秘密。正準(zhǔn)備離開神奇寶貝中心的小智等人遇到了前來(lái)捕捉潔咪的火箭隊(duì)。而與此同時(shí)，神奇寶貝中心外的裝飾品的鏡面上出現(xiàn)了“次元旋渦”，將火箭隊(duì)、潔咪連同小智一行人一起全部帶往了反轉(zhuǎn)世界。 　　從次元旋渦中脫出的小智一行人環(huán)顧四周，這里是倒立著一排排建筑物，空中處處漂浮著烏云的，廣大而不可思議的反轉(zhuǎn)世界。 　　就在這時(shí)，騎拉帝納突然出現(xiàn)，向潔咪發(fā)動(dòng)攻擊。小智等人正要與騎拉帝納對(duì)抗，卻傳來(lái)制止之聲。說(shuō)話者是名叫穆玄·葛雷斯藍(lán)多的學(xué)者，他告訴小智等人不可以讓騎拉帝納生氣。 　　正在小智一行在穆玄·葛雷斯藍(lán)多的幫助下向現(xiàn)實(shí)世界回返之時(shí)，企圖利用騎拉帝納的力量支配世界的，駕駛著高科技母艦“百萬(wàn)力霸”的謎之青年，杰洛出現(xiàn)了。和潔咪一起繼續(xù)著探索花園之旅的小智一行沒(méi)能逃過(guò)杰洛的追蹤。 　　前所未有的冒險(xiǎn)之旅的高潮，等待著你的是超越想像的“美麗奇跡”!

大家的歌

在本作品中，人們聽(tīng)了從某個(gè)卡式錄音帶中流淌出的“某個(gè)旋律”后，自己也漸漸哼唱起了那個(gè)旋律，被卷入了不可思議的事件中。

絕命47小時(shí)

　　兩個(gè)不善社交的少女，一天晚上無(wú)聊，轉(zhuǎn)向互聯(lián)網(wǎng)尋找恐怖故事。他們?cè)谝粋€(gè)令人毛骨悚然的網(wǎng)絡(luò)上找到了一個(gè)游戲，聲稱你可以用你的手機(jī)來(lái)召喚超自然...如果你輸了比賽...你失去了生命

機(jī)械怪獸

窺鏡

　　尼古拉斯·凱奇出演獨(dú)立制作驚悚片《窺鏡》(Looking Glass，暫譯)。導(dǎo)演為曾拍攝多部MV及廣告的多里·奧斯科維茲，編劇杰里·萊普、馬修·懷爾德。一對(duì)夫婦在經(jīng)歷生活傷痛后買下了荒郊僻壤一處汽車旅館，他們此舉是為了探秘旅館一個(gè)房間內(nèi)發(fā)生的一系列無(wú)法解釋的怪事。影片今秋開機(jī)。

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這是三部曲的最后一部，故事圍繞著將自己奉獻(xiàn)給撒旦的妓女展開。這部影片的內(nèi)容是極端而黑暗的，令人作嘔的情節(jié)屢屢出現(xiàn)，充斥著暴力，性，裸體，體液！一群女孩子和一個(gè)男人摳喉嚨催吐，然后吃掉嘔吐物，再吐出來(lái)……