消防員舞會

★ 1.4 播放:45萬 更新:2026-04-26

捷克某小鎮(zhèn),一年一度的消防員舞會再次到來。今年的舞會有項特別的內(nèi)容,患有癌癥的老局長(Jan Vostrcil 飾)即將迎來86歲大壽,消防隊里這群老同志們決定為局長辦一個大型派對,并頒發(fā)一柄金斧以表彰他一生作出的貢獻。舞會內(nèi)容倒也充實、抽獎、頒獎、聚餐、舞蹈,甚至還別出心裁安排了選美環(huán)節(jié)??墒鞘屡c愿違,這些環(huán)節(jié)卻從沒按計劃進行。頒發(fā)的禮品不斷被人偷走,年輕姑娘們也不愿拋投露面參加選美。場面混亂之際,一場大火也來湊湊熱鬧本片為導(dǎo)演米洛斯 bull;福曼離開捷克前最后的一部作品。

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劇情簡介

捷克某小鎮(zhèn),一年一度的消防員舞會再次到來。今年的舞會有項特別的內(nèi)容,患有癌癥的老局長(Jan Vostrcil 飾)即將迎來86歲大壽,消防隊里這群老同志們決定為局長辦一個大型派對,并頒發(fā)一柄金斧以表彰他一生作出的貢獻。舞會內(nèi)容倒也充實、抽獎、頒獎、聚餐、舞蹈,甚至還別出心裁安排了選美環(huán)節(jié)??墒鞘屡c愿違,這些環(huán)節(jié)卻從沒按計劃進行。頒發(fā)的禮品不斷被人偷走,年輕姑娘們也不愿拋投露面參加選美。場面混亂之際,一場大火也來湊湊熱鬧本片為導(dǎo)演米洛斯 bull;福曼離開捷克前最后的一部作品。

導(dǎo)演精選

玄機衛(wèi)之鎮(zhèn)國神鼎

天降妖星,龍脈斷裂,蠱蟲肆虐。隱士白隱川被迫重出江湖,與瘋癲故友、雙面女禁衛(wèi)探地宮、破鎖龍陣,在權(quán)力棋局中,為人心而戰(zhàn)!

金錢怪獸

  知名電視財經(jīng)專家李·蓋茨(喬治·克魯尼 George Clooney 飾)在電視財經(jīng)節(jié)目《金錢怪獸》中擔(dān)任主持人而聲名大噪,在節(jié)目中經(jīng)常出現(xiàn)瘋狂舉動,會大聲說出投資建議,不時在節(jié)目中用搞笑的道具和音效介紹股市。然而,事實上他是透過內(nèi)線消息讓他在華爾街成為賺錢高手。一名不速之客(杰克·奧康奈爾 Jack O'Connell 飾),因為聽信投資分析而賠光積蓄,因此在節(jié)目直播中綁架了蓋茨與節(jié)目制作人帕蒂·芬恩(朱莉婭·羅伯茨 Julia Roberts 飾)。同時全國民眾也透過電視在看著這場玩命直播,而這場挾持行動也揭發(fā)了背后更巨大的金融操弄丑聞。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.