家政婦は見た 20
『大沢家政婦紹介所』所屬の石崎秋子（市原悅子）が今働いているのは全國に門弟數(shù)百萬人といわれる茶道家元の名門?葉家。家元の葉秀旦（山下真司）と夫人の宮子（姿晴香）、一人息子の秀一（松尾敏伸）、それに秀旦の母?茂子（香川京子）の4人家族だが、屋敷には何人もの內(nèi)弟子がいる。內(nèi)弟子は、家元に代わって雑事一切を取り仕切る“業(yè)頭”と呼ばれる筆頭內(nèi)弟子から、下働きの男衆(zhòng)“庭人”まで、はっきりと分かれていて、內(nèi)弟子の間では、業(yè)頭になることが最高の目標だという?，F(xiàn)在の業(yè)頭は、長沼青庵（磯部勉）で、秀一は本當は青庵の子供ではないかというウワサがあるのを秋子は知る。 そんな秋子が戀をした。相手は庭人の水野文造（林隆三）で、一人黙々と庭の手入れなどの雑用をこなす文造の誠実な姿に、秋子は自分の境遇を重ね合わせながら、次第に惹かれていく。
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
登帕卡農(nóng)
?????????? ????????,?????? ???????????,????????? ?????????,??????? ???????????,??? ????????????,?????? ???????????????????????????? ?????????????????????????? ??????????????????????????????????????????????????????????????? ???????????????????????????????? 10 ??????????????????????????????????????????????????? ????????????????????????????? ?????? ???????????????????????????????????????????????????? ??????????????????????????????????????????????????????????????????????????
放飛旅行團
姜河那,金英光,車銀優(yōu),姜泳錫,韓善伙堅持到底的瘋狂執(zhí)著者、活力爆棚的樂天派、顏值爆表的潮流DJ志願生、腦洞大開的怪咖，還有直率爆笑的傻大姐——這五位從小一起長大的死黨，雖然個性南轅北轍，但卻默契滿點。在友情屆滿24週年的同時，他們終於迎來夢寐以求的「人生首次海外旅行」！只是沒想到，這場說走就走的旅程，卻秒變?yōu)碾y現(xiàn)場：走失、誤會、鬧劇不斷升級，他們能否克服重重危機，重新找回彼此？而這場瘋狂之旅的終點，會是一生中的難忘回憶，還是友情的轉(zhuǎn)捩點呢？
七月返歸
白靈,太保,譚玉瑛,伍詠詩,周祉君,沈殷怡,黃梓樂內(nèi)詳暫無簡介
掏出你的手帕
熱拉爾·德帕迪約,卡洛?！诶?帕特里克·迪瓦爾,米歇爾·塞羅爾,埃萊奧諾雷·希爾特這是一位始終以兩性關(guān)系、婚姻道德為主題的電影作者，這部獲得奧斯卡最佳外語片的《掏出你的手帕》也不在例外。關(guān)于影片，布里耶是這樣解釋的：“表面上看這是一部怪誕的電影，但實際上這是一部徹底顛倒道德標準的片子，不過表現(xiàn)得比較委婉且具有魅力。如果仔細觀察就可以看出，所有的道德價值都被顛倒了，所有的道德傳統(tǒng)都被拋到了一邊。人物的思想狀態(tài)正處于一種極端混亂的時期，今天你也許還不會把妻子當作禮物送給別人，但也許將來你就可以做到了?！?/p>
死因無可疑
黃秋生,林嘉欣,陳家樂,湯怡,廖啟智,歐陽偉豪,歐錦棠,馮素波,鄧建明,駿雄保險經(jīng)紀人葉永信(陳家樂 飾)某天接到一通神秘來電，電話中的男子問自殺后多久可以拿到賠償，隨后他接到上司通知有客戶指定他去跟進保單，葉上門拜訪時親眼目睹一個孩子吊死在屋中，他隨即認定客戶為詐取保險金而殺害兒子，決心暗中對朱重德(黃秋生 飾)和沈子玲(林嘉欣 飾)夫婦展開調(diào)查，恐嚇隨即接二連三發(fā)生在他及戀人文惠儀(湯怡 飾)身上，在又一起命案發(fā)生后，他愕然發(fā)覺事情和他的判斷并不一樣…