混合宿舍2
又名: National Lampoon"s Dorm Daze 2: College Sea ; Dorm Daze 2 已經(jīng)是大學(xué)二年級(jí)的眾人迎來(lái)了足夠刺激的客輪之旅他們將在海上航行多日，期間還有戲劇比賽等文化活動(dòng)。拉斯帝希望在這次旅行中告別自己的處男之身，為此他絞盡腦汁，嘗試抓住任何機(jī)會(huì)，而在船上加入反性組織的姑娘們時(shí)時(shí)不忘給拉斯帝設(shè)置障礙。隨船旅行的考古學(xué)家卡文迪許教授（Charles Shaughnessy 飾）背地里是個(gè)文物竊賊，他想在旅行中將手中的鉆石;法老之心 伺機(jī)出shou。然而事不隨人愿，鉆石之心同時(shí)也是學(xué)生們一部話劇中的重要道具，機(jī)緣巧合之下，卡文迪許被潛藏在船上的對(duì)手算計(jì)，而真正的鉆石作為道具出現(xiàn)在了話劇比賽中。這班在船上縱情狂歡、爭(zhēng)風(fēng)吃醋的大學(xué)生無(wú)意間卷入了一場(chǎng)文物案件
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臨租家庭
布蘭登·費(fèi)舍,平岳大,山本真理,香農(nóng)·戈?duì)柭?柄本明,尼希,古川雁,金隆夫,小松裕司,長(zhǎng)田涼子,保羅·安德里亞·迪·皮耶特羅,木村文哉,龜田梨紗,加奈·凱蒂,尾關(guān)伸嗣,筱崎志乃,楚南勇真本片講述了一位在東京落魄的美國(guó)演員的故事。他受雇于一家日本家庭租賃公司，充當(dāng)門面上的“美籍演員”，由此通過(guò)扮演他人生活中的各種角色，踏上了一段意想不到的自我發(fā)現(xiàn)之旅。
國(guó)王理查德
威爾·史密斯,黛米·辛格頓,薩尼雅·西德尼,安潔紐·艾莉絲-泰勒,喬·博恩瑟,托尼·戈德溫,米凱拉·拉沙·巴塞洛繆,達(dá)尼埃萊·勞森,萊拉·克勞福德,埃里卡·林格,諾亞·比恩,克雷格·泰特,喬賽亞·克羅斯 ,小卡爾文·克勞塞爾,沃恩·W·希伯倫,小吉米·沃克,凱文·杜恩,布拉德·格林奎斯特,布蘭頓·莫拉萊斯,愛(ài)麗珂謝弗,安迪·比恩,朱迪思?查普曼,切特·格里索姆,喬納森·貝萊,卡特里娜·貝恩,里奇·索莫,艾琳·庫(kù)明斯,湯姆·德格南,弗吉尼亞·施奈德,瓦萊麗·戴維森,漢娜·巴爾福特,梅爾·法爾,瑪麗·帕斯科,該片劇本排2018年好萊塢“劇本黑名單”第二，講述理查德·威廉姆斯的真實(shí)故事，這位精明務(wù)實(shí)、不屈不撓、沒(méi)有任何網(wǎng)球背景的父親培養(yǎng) 出了兩個(gè)網(wǎng)球天才，她們后來(lái)成了超級(jí)巨星——維納斯·威廉姆斯和塞雷娜·威廉姆斯(大威小威)。理查德·威廉姆斯為女兒們的職業(yè)網(wǎng)球生涯起草了一份78頁(yè)的計(jì)劃，女孩們?cè)诳灯疹D破舊、雜草叢生的公共球場(chǎng)上學(xué)會(huì)了這項(xiàng)運(yùn)動(dòng)。據(jù)報(bào)道，在那之前，她們的父親與一些不喜歡這項(xiàng)運(yùn)動(dòng)、不肯讓位的年輕硬漢發(fā)生了爭(zhēng)執(zhí)。威廉姆斯姐妹后來(lái)成為了網(wǎng)球史上最偉大的女選手之二。
銀瀑2：重現(xiàn)
丹德里·泰勒,Laura Flannery,杰德·拉姆西,亞當(dāng)·拉扎爾-懷特,尼基塔·拉姆齊,Jennifer DorogiSeveral years after a deadly struggle with her serial killer aunt, Jordan works to escape her troubled history. But when her aunt's revenge-seeking specter surfaces to join forces with a deranged convict, Jordan must return to the haunted town of Silver Falls for a final showdown with the ghosts of her past.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
東京出租車2025
倍賞千惠子,木村拓哉,蒼井優(yōu),迫田孝也,優(yōu)香,中島瑠菜,神野三鈴,李濬榮,笹野高史,大竹忍,槙田雄司,北山雅康,木村優(yōu)來(lái),小林稔侍,明石家秋刀魚(yú)故事圍繞的士司機(jī)宇佐美浩二（木村拓哉 飾）展開(kāi)，他每日奔波于都市間工作養(yǎng)家，卻因女兒的學(xué)費(fèi)、的士驗(yàn)車費(fèi)、房屋租金等接踵而至的現(xiàn)實(shí)壓力而身心俱疲。某日，浩二接到一項(xiàng)特別的委托——接載年邁的高野堇女士（倍賞千惠子 飾）從東京柴又前往神奈川葉山的養(yǎng)老院?！霸陔x開(kāi)東京之前，想先到幾個(gè)想去的地方看看”，堇女士淡然請(qǐng)求。隨著的士駛過(guò)日本的大街小巷，陌生的兩人逐漸打開(kāi)心扉，堇女士也徐徐道出自己跌宕的人生過(guò)往。這趟偶然的旅程，不僅觸動(dòng)了他們的心靈，也讓二人在平凡的日子中，為彼此的人生留下難忘的美好印記。
大話神探
陳百祥,錢小豪,曹查理,馮淬帆,許冠英,葉童,鄭君綿,成奎安,胡楓廣告界名模戴李察原為名噪一時(shí)之大盜“一棚牙”，后因厭倦江湖，與舊拍檔阿蕊互相協(xié)議金盆洗手，而阿蕊亦轉(zhuǎn)而從良，下嫁刑事偵緝警官吳超人。察有一世侄志偉，欲得盜竊的真?zhèn)饕吕?，但為所拒，無(wú)奈志偉卻不罷休。另一方面，指揮官胡處長(zhǎng)安排超人及當(dāng)紅干探?jīng)_鋒車，以一顆幾可亂真之寶石，由沖鋒車以歸僑身份，擺設(shè)酒會(huì)，實(shí)行布下香餌釣金鰲。當(dāng)沖鋒車公開(kāi)展示寶石之際，志偉果然心癢難忍，在混亂中，將寶石盜取。沖鋒車奪回寶石...