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冬脊
馬特·霍金斯,奧爾雯·凱瑟琳·凱莉,漢娜·沃丁厄姆一名年輕的偵探在他的妻子昏迷不醒的同時(shí)還在追捕一個(gè)連環(huán)殺手后被撕裂。
孤獨(dú)犯罪狂
布倫娜·斯卡爾斯基,伊恩·賴爾·邁克爾斯,大衛(wèi)·赫特當(dāng)一位孤獨(dú)的真正犯罪迷遇到她最喜歡的播客主持人時(shí)，浪漫擦出了火花，但事情很快變得奇怪，因?yàn)樗麑?duì)她的迷戀變成了癡迷，而他最新的劇集似乎圍繞著她最終的謀殺展開。
月影殺痕
波伊德·霍布魯克,克利歐佩特拉·科爾曼,博基姆·伍德拜因,邁克爾·C·豪爾,魯?shù)稀み_(dá)馬林加姆,Al Maini,Quincy Kirkwood,莎拉·杜格代爾,瑞秋·凱勒,Ryan Allen,托尼·納波,Philippa Domville,托尼·克雷格,加布里埃爾·格雷厄姆,Julia Knope,默里·弗羅,大衛(wèi)·麥金尼斯,德爾菲娜·魯塞爾,胡安·卡洛斯·韋利斯,泰德·麥克馬洪,愛德華·倫德爾,妮卡·埃利奧特1988 年，心懷偵探夢(mèng)想的費(fèi)城警官托馬斯·洛克哈特（波伊德·霍布魯克飾演）開始追蹤一名連環(huán)殺手，此人每隔 9 年就神秘地出現(xiàn)一次。但是當(dāng)殺手的罪行開始違背所有的科學(xué)解釋時(shí)，洛克對(duì)真相的癡迷可能會(huì)毀掉他的事業(yè)、家庭，甚至是他的心智?！对掠皻⒑邸肥且徊炕旌项}材的心理驚悚片，探討了時(shí)間的力量，以及時(shí)間的流逝如何使我們相聚又分開。該片由吉姆·米可執(zhí)導(dǎo)，其他主演包括邁克爾·C·豪爾和克利歐佩特拉·科爾曼。
角落小伙伴：天空王國與兩位小伙伴
井之原快彥,本上真奈美故事舞臺(tái)設(shè)于云上天空王國。當(dāng)王子從天空王國墜入陰雨連綿的角落小鎮(zhèn)，救助王子的角落小伙伴們得知云上世界陷入嚴(yán)重水危機(jī)，為拯救王國展開冒險(xiǎn)。
憤怒的黑人女孩與她的怪物
Chad L. Coleman,Laya DeLeon Hayes,丹澤爾·惠特克It tells the story of teenage anti-hero, Vicaria, who is on a desperate quest to cure death.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster