別忘記你將死

? 5.0 播放:04萬 2026-04-25

一部法國新銳導(dǎo)演、演員和編劇格扎維埃 博瓦(1967.3.20~)的經(jīng)典悲劇電影。1995法國戛納國際電影節(jié)評審團(tuán)獎獲獎作品。 伯努瓦(格扎維埃 middot;博瓦飾)是一個上層階級出生的藝術(shù)系學(xué)生。他對已經(jīng)應(yīng)征入伍的通知感到非常震驚。為了急于逃避兵役,貝努瓦假裝生病。心理咨詢醫(yī)生告訴他抑郁癥,甚至告訴他同性戀草案的特殊條款對他能有幫助,但這一切都是徒勞的。絕望中,貝努瓦企圖自殺。在醫(yī)院才知道,他被檢測出HIV陽性?,F(xiàn)在,貝努瓦知道愛滋病的嚴(yán)重性,真正得了抑郁癥,墜入了情緒低迷的谷底。彷徨中有人把他介紹給混混兒奧馬爾(羅什迪澤姆飾)認(rèn)識,他們終日一起廝混,一道y-亂。奧馬爾建議他可以通過走私毒品快速賺大錢。反正沒事做,貝努瓦便去與奧馬爾做他不義之財?shù)倪@個業(yè)務(wù),他前往意大利。在那里他遇見了年輕漂亮的一位名叫克勞迪婭(基婭拉馬斯特羅亞尼飾)的姑娘。 伯努瓦和克勞迪婭很快雙雙墜入愛河。但事實(shí)又很快就證明了毒品市場的吸引力超過他對女友克勞迪婭的強(qiáng)大感情。來到軍隊(duì),伯努瓦始終無法排解自己的幻滅感受,在一次執(zhí)行戰(zhàn)斗任務(wù)中,伯努瓦用失去作戰(zhàn)保護(hù)的姿態(tài)進(jìn)行攻擊,以換來敵方更多致命的子彈。   

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劇情提要

一部法國新銳導(dǎo)演、演員和編劇格扎維埃 博瓦(1967.3.20~)的經(jīng)典悲劇電影。1995法國戛納國際電影節(jié)評審團(tuán)獎獲獎作品。 伯努瓦(格扎維埃 middot;博瓦飾)是一個上層階級出生的藝術(shù)系學(xué)生。他對已經(jīng)應(yīng)征入伍的通知感到非常震驚。為了急于逃避兵役,貝努瓦假裝生病。心理咨詢醫(yī)生告訴他抑郁癥,甚至告訴他同性戀草案的特殊條款對他能有幫助,但這一切都是徒勞的。絕望中,貝努瓦企圖自殺。在醫(yī)院才知道,他被檢測出HIV陽性。現(xiàn)在,貝努瓦知道愛滋病的嚴(yán)重性,真正得了抑郁癥,墜入了情緒低迷的谷底。彷徨中有人把他介紹給混混兒奧馬爾(羅什迪澤姆飾)認(rèn)識,他們終日一起廝混,一道y-亂。奧馬爾建議他可以通過走私毒品快速賺大錢。反正沒事做,貝努瓦便去與奧馬爾做他不義之財?shù)倪@個業(yè)務(wù),他前往意大利。在那里他遇見了年輕漂亮的一位名叫克勞迪婭(基婭拉馬斯特羅亞尼飾)的姑娘。 伯努瓦和克勞迪婭很快雙雙墜入愛河。但事實(shí)又很快就證明了毒品市場的吸引力超過他對女友克勞迪婭的強(qiáng)大感情。來到軍隊(duì),伯努瓦始終無法排解自己的幻滅感受,在一次執(zhí)行戰(zhàn)斗任務(wù)中,伯努瓦用失去作戰(zhàn)保護(hù)的姿態(tài)進(jìn)行攻擊,以換來敵方更多致命的子彈。   

幕后花絮

口徑

  該片是馬特·帕爾默的導(dǎo)演處女作,故事講述兩個畢生好友前往一個孤立的蘇格蘭高地村莊進(jìn)行周末狩獵,然而他們面對接下來所發(fā)生的事情毫無準(zhǔn)備。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster