公交司機(jī)

? 5.0 播放：70萬 2026-04-24
主演：Monique Hjkova 保野生 

女演員都是歐洲最美麗的女孩!夜晚的城市隱藏著大多數(shù)不為人知的骯臟秘密、 沒有光線而憎惡和蕩的一天。一個(gè)開夜班的年輕公交司機(jī)，每個(gè)班次，他轉(zhuǎn)動(dòng)方向盤，每班有見過生活的黑暗面。這個(gè)家伙想逃離這個(gè)嚴(yán)酷的現(xiàn)實(shí)世界，唯一的出路就是他充滿了燃燒的激情的情夢(mèng)想。 　　

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劇情提要

女演員都是歐洲最美麗的女孩!夜晚的城市隱藏著大多數(shù)不為人知的骯臟秘密、 沒有光線而憎惡和蕩的一天。一個(gè)開夜班的年輕公交司機(jī)，每個(gè)班次，他轉(zhuǎn)動(dòng)方向盤，每班有見過生活的黑暗面。這個(gè)家伙想逃離這個(gè)嚴(yán)酷的現(xiàn)實(shí)世界，唯一的出路就是他充滿了燃燒的激情的情夢(mèng)想。 　　

幕后花絮

呼嘯山莊2026

 改編自英國(guó)著名作家艾米莉·勃朗特同名經(jīng)典作品，英格蘭北部的荒原之上，一場(chǎng)跨越階級(jí)的禁忌之戀正在上演。莊園之主的女兒凱茜（瑪格特·羅比 飾）與被收養(yǎng)的孤兒希斯克利夫（雅各布·艾洛蒂 飾）青梅竹馬，靈魂契合彼此深陷。愛意悄然滋長(zhǎng)之時(shí)，現(xiàn)實(shí)的殘酷和命運(yùn)的捉弄卻將二人分開。多年以后，他攜風(fēng)暴回來，純潔的愛火逐漸從浪漫演變?yōu)榘V狂，譜寫了一曲關(guān)于欲望、愛與瘋狂的史詩(shī)篇章。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.