被害人

? 9.0 播放：35萬 2026-04-28

10年前的一個夏夜，警官袁文山（馮紹峰 飾）接到一起搶劫殺人案，在逐漸深入的調(diào)查過程中，當(dāng)晚在場的嫌疑人們逐一浮出水面，然而案情的真相遠(yuǎn)非表面那般簡單，三案并行，一場利益和正義的較量愈演愈烈，卷入其中的人們都是所圖為何？究竟是情法之爭，還是欲望驅(qū)使？在案件稍有眉目之時，袁文山卻發(fā)現(xiàn)了一個被自己忽略的重要線索……

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劇情提要

10年前的一個夏夜，警官袁文山（馮紹峰 飾）接到一起搶劫殺人案，在逐漸深入的調(diào)查過程中，當(dāng)晚在場的嫌疑人們逐一浮出水面，然而案情的真相遠(yuǎn)非表面那般簡單，三案并行，一場利益和正義的較量愈演愈烈，卷入其中的人們都是所圖為何？究竟是情法之爭，還是欲望驅(qū)使？在案件稍有眉目之時，袁文山卻發(fā)現(xiàn)了一個被自己忽略的重要線索……

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

緊箍咒之不法山

　　大老板(陳龍飾)所困的不法山客棧迎來了一群不一般的客官，這其中，來勢洶洶的西域人究竟是何身份?群妖匯集在此蠢蠢欲動又所圖為何?而路經(jīng)此地的唐僧師徒四人又將變幻何人才能騙過眾人耳目?在這座無法使用法力的神秘客棧，一場驚心動魄的西游版“狼人殺”即將拉開序幕。