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劇情提要
五年前,一高鈡釹生被三名同鄉(xiāng)輪奸、恐嚇,把過程一一攝丅。釹生選擇悄悄離開,只身來到陌生的崬 京。當(dāng)釹生以為終于再拾得幸福,興高采烈與未婚夫籌備婚禮之際,當(dāng)年三名強(qiáng)迫犯約定出獄后到釹生家集合,瓜分賊贓,更一次又一次強(qiáng)迫她,以當(dāng)年照片威脅。未婚夫也因誤會(huì)舍她遠(yuǎn)去,她一無(wú)所有,決定報(bào)復(fù)。她把祂們殺死,尸體藏于雪柜,她以為一生從此冰封在雪柜鈡,誰(shuí)料
暗夜精選
匿殺
彭昱暢,張鈞甯,黃曉明,王迅,徐嬌,邢佳棟,阿如那,王成思,海一天,沈浩,侯詠薰,王圣迪,黃奕,姜皓文,郝平,蔡亙晏,高長(zhǎng)遠(yuǎn),張磊,衣云鶴古劍奇譚之琴心劍魄
白澍,梁婧嫻,姜震昊,黃羿,王景灝機(jī)械姬
艾麗西亞·維坎德,多姆納爾·格里森,奧斯卡·伊薩克,水野索諾婭,克里·約翰遜,Claire Selby,Symara A. Templeman,嘎娜·巴亞爾賽汗,Tiffany Pisani,伊蓮娜·艾爾米納斯,李仙湖,黛博拉·羅桑,喬安娜·希雅,艾薇·維鋼鐵飛龍之再見奧特曼
侯勇,大張偉,金晨,曲哲明,向佐,羅云熙,郝劭文,汪鐸,屈菁菁村在天堂邊
Axmen Cali Faarax,Canab Axmed Ibraahin,Ahmed Mohamoud Salleban,Axmed Cabdillahi Ducaale,Maxamed Xaaji Cabdi Fadax,Maxamed Axmed Maxamed,Maxamed Maxamuud Jamac,Maxamed Xusen Xasan,Aamino Saalad Gureey,Abdirisaq Daahir Khalif,Adbirisaq Ciise Cawad,Faadumo D圣誕寶寶
凱瑟琳·巴雷爾 Katherine Barrell,阿里·利伯特,安德魯·J·漢普頓無(wú)眠覺醒
吉娜·羅德里格茲,沙米爾·安德森,詹妮弗·杰森·李,阿麗亞娜·格林布拉特,巴里·佩珀,弗蘭西絲·費(fèi)舍,吉爾·貝羅斯,菲恩·瓊斯,塞巴斯蒂安·皮戈特,塞爾吉奧·齊奧,亞歷克斯·豪斯,盧修斯·霍約斯,特洛文·海斯,肖恩·艾哈邁德,朱莉婭·迪揚(yáng),羅伯特·巴佐齊,柴·瓦拉達(dá)雷斯,凱特琳娜·塔克西亞,瑪莎·格爾文,埃利亞斯·艾德拉基,Michael Hough同系列推薦
當(dāng)邪惡潛伏時(shí)
埃澤奎爾·羅德里格斯,Demián Salomón,路易斯·齊姆博夫斯基,Marcelo Michinaux,Federico Liss,Silvina Sabater,Emilio Vodanovich,Paula Rubinsztein,Virginia Garófalo,Desirée Salgueiro月球漫步2024
柳承穆,黃智雅,金敏京,宋東煥卡薩諾瓦1976
唐納德·薩瑟蘭,蒂娜·奧蒙特,Cicely Browne,卡門·斯卡爾佩特,Clara Algranti,Daniela Gatti,瑪格瑞斯·克里蒙地,奧林匹婭·卡爾立斯,Silvana Fusacchia,切斯蒂·摩根,Leda Lojodice,Sandra Elaine Allen,Clarissa Mary Roll,丹尼爾·埃米爾???Luigi Zerbinati,Hans van de Hoek,杜德里·沙頓,約翰·卡爾森,雷吉·納爾德,芭芭拉·斯蒂爾,弗朗切斯科·德羅薩,Harold I反防御
莉諾·贊,莫里·柴金無(wú)瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內(nèi)黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利誓不遺忘
帕斯·貝加,西蒙·貝克,肯·戴維蒂安,科洛·莫瑞茲幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
星途惡果
好萊塢明星Reef Hawk(基努·里維斯 飾)被人以一個(gè)神秘視頻進(jìn)行勒索,形象和職業(yè)面臨崩塌,他必須深入探索自己心中隱藏的惡魔。在多年好友Kyle(卡梅隆·迪亞茲 飾)、Xander(馬特·波莫 飾)和應(yīng)對(duì)危機(jī)的律師Ira(喬納·希爾 飾)的幫助下,Reef展開了一場(chǎng)自我反省的旅程,要去補(bǔ)償任何他可能辜負(fù)過的人,想搞清楚勒索者是誰(shuí)。面臨自己的過去,才能拯救自己的未來。