我要得太多，你給得太少 Cosa voglio di più

 隱居孤島的特工界黃金王牌邁克爾·梅森（杰森·斯坦森 飾）本想就此隔絕過往，一場風(fēng)暴卻讓他救下少女杰茜（博德希·蕾·布里納希 飾），命運(yùn)的齒輪徹底反轉(zhuǎn)……他們的行蹤不慎暴露在嚴(yán)密的監(jiān)控網(wǎng)絡(luò)之下，神秘勢力的追殺接踵而至，無路可退的梅森被迫重操舊業(yè)，攜手少女開啟生死突圍之路。 面對頂尖特工小隊(duì)和冷血?dú)⑹值妮喎瑖耍飞宦坊鹆θ_：近身肉搏、飛車追逃、槍林彈雨，硬核爽戰(zhàn)全程高能！隨著追殺不斷升級(jí)，層層陰謀被逐一揭開，互相防備的兩人成為彼此唯一的依靠。當(dāng)滔天陰謀席卷而來，他們能否沖破死局？這份絕境中的守護(hù)，又會(huì)成為鎧甲還是軟肋？

A story of redemption in a world gone dark.

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

 西元2274年人類居住在由電腦控制的城市中，在這個(gè)城市中無優(yōu)無慮，可自由毫無拘束的追求享樂；但到30歲時(shí)每一個(gè)人必須接受考驗(yàn)，一個(gè)探究永恒、重生的試煉……