女囚風(fēng)暴1995

? 4.3 播放：55萬(wàn) 2026-04-25

做生意的女強(qiáng)人頂姐因簽錯(cuò)文件入獄，一開始就與獄中的前輩波嫂發(fā)生沖突，又不喜監(jiān)獄管理制度，被人孤立。凱莉主動(dòng)幫助她適應(yīng)新環(huán)境，更因此結(jié)識(shí)了為人善良，心系女兒又照顧獄中姐妹的博媽。 為解決獄中衛(wèi)生巾不足的問(wèn)題，頂姐發(fā)揮做生意的頭腦、與博媽利用各工隊(duì)協(xié)助的力量，盡力為獄友們解決問(wèn)題，并協(xié)力維護(hù)和平的女監(jiān)環(huán)境，頂姐更因此贏得了大家的歡迎。但沒(méi)想到，女監(jiān)惡霸劏豬環(huán)再度入獄，馬上破壞了監(jiān)獄的和諧。為了成為獄中老大，劏豬環(huán)設(shè)局陷害頂姐和波嫂，令原本對(duì)立的二人被罰獨(dú)立囚禁一星期。兩人于這期間難得地交心言談，拉近了彼此的距離并成為知心好友。 博媽即將出獄，卻意外發(fā)現(xiàn)女兒波波入獄。波波埋怨博媽多年沒(méi)盡到母親的責(zé)任，不愿與博媽親近，博媽悲痛萬(wàn)分。在一次劏豬環(huán)責(zé)難波波泄憤期間，博媽為了保護(hù)波波而去世。此舉激怒了波波和眾人，她們決心共同抵制劏豬環(huán)、讓監(jiān)獄回到往日的和平與寧?kù)o。波波最終化解了與母親博媽多年的心結(jié)，頂姐和波嫂也明白幸福得靠自己爭(zhēng)取。眾人在這段監(jiān)獄生活中，最終悟到人生的缺失，也尋得自己的追求。

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劇情提要

做生意的女強(qiáng)人頂姐因簽錯(cuò)文件入獄，一開始就與獄中的前輩波嫂發(fā)生沖突，又不喜監(jiān)獄管理制度，被人孤立。凱莉主動(dòng)幫助她適應(yīng)新環(huán)境，更因此結(jié)識(shí)了為人善良，心系女兒又照顧獄中姐妹的博媽。 為解決獄中衛(wèi)生巾不足的問(wèn)題，頂姐發(fā)揮做生意的頭腦、與博媽利用各工隊(duì)協(xié)助的力量，盡力為獄友們解決問(wèn)題，并協(xié)力維護(hù)和平的女監(jiān)環(huán)境，頂姐更因此贏得了大家的歡迎。但沒(méi)想到，女監(jiān)惡霸劏豬環(huán)再度入獄，馬上破壞了監(jiān)獄的和諧。為了成為獄中老大，劏豬環(huán)設(shè)局陷害頂姐和波嫂，令原本對(duì)立的二人被罰獨(dú)立囚禁一星期。兩人于這期間難得地交心言談，拉近了彼此的距離并成為知心好友。 博媽即將出獄，卻意外發(fā)現(xiàn)女兒波波入獄。波波埋怨博媽多年沒(méi)盡到母親的責(zé)任，不愿與博媽親近，博媽悲痛萬(wàn)分。在一次劏豬環(huán)責(zé)難波波泄憤期間，博媽為了保護(hù)波波而去世。此舉激怒了波波和眾人，她們決心共同抵制劏豬環(huán)、讓監(jiān)獄回到往日的和平與寧?kù)o。波波最終化解了與母親博媽多年的心結(jié)，頂姐和波嫂也明白幸福得靠自己爭(zhēng)取。眾人在這段監(jiān)獄生活中，最終悟到人生的缺失，也尋得自己的追求。

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

寒刀凜

 明朝年間，錦衣衛(wèi)陸欽因罪被發(fā)配充軍，途中因緣際會(huì)，與樊英押送貪官?gòu)堘曰鼐┲刚J(rèn)通敵太監(jiān)王公公。經(jīng)過(guò)生死追逃，最終陸欽犧牲，張嵩抵京，卻被王公公處死于監(jiān)牢。多年后，王公公被樊英擊殺，善惡終得報(bào)。