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兩架鋼琴
弗朗索瓦·西維爾,娜迪亞·特列什科維奇,夏洛特·蘭普林,伊波利特·吉拉爾多,阿爾芭·貝露琪,Anne Kessler,杰里米·勒溫,Marianne Pommier,Valentin Picard,Laura Caselli,Keith Farquhar,梅蘭妮·古思,帕斯夸萊·當(dāng)卡,Micha?l Ma?no,Rafa?l Reves,雅尼塞·科巴卜,Guillaume Benit,Guillaume Arnoldi,Erwan Vin,Déborah Lamy錯誤指控
萊斯利·尼爾森,理查德·克里納,凱莉·勒布洛克,美琳達·麥格勞,麥克爾·約克,桑德拉·伯恩哈德,艾倫·坡爾,本杰明·拉特納,杰拉德·普倫科特,鄧肯·弗雷澤,John Walsh,Chick Hearn,瑪麗·布萊克,阿萊克斯·迪亞坤,阿德里安·多瓦爾,埃莉·哈維,Charles Payne,帕特·普羅夫特,薇娜·蘇德,比爾·塔爾林,Shari Lewis死產(chǎn)兒
克里斯蒂·柏克,杰西·莫斯,麗貝卡·奧爾森,邁克爾·艾恩塞德 Michael Ironside,詹·格里芬,希拉·麥卡錫 Sheila McCarthy,肖恩·羅格森,迪倫·普萊費爾,Grace Christensen阿爾及爾之戰(zhàn)
卜拉欣·哈賈季,讓·馬丹,Yacef Saadi,Samia Kerbash,Ugo Paletti,Fouzia El Kader,Mohamed Ben Kassen戰(zhàn)爭藝術(shù)家
埃米爾·赫斯基,因巴爾·拉維,伊安·蒂阿爾,亞當(dāng)·切赫曼,Edward Foy,Chris Cope,喬?！げ既R克,喬什·祖克曼,尤金·里皮斯基,達里亞斯·布萊克,Pam Kearns,Tori Griffith,Brad Abramenko,邁克爾·本耶爾,Boris Bilic,馬特·布朗,Reid Anthony Cronin,阿亞斯·達爾曼,Rebecca Dykstra,Craig Erickson死人開關(guān)
比爾·斯卡斯加德,戴克·蒙哥馬利,阿爾·帕西諾,加利·艾爾維斯,科爾曼·多明戈,米哈拉·赫羅德,約翰·羅賓森,喬丹·克萊爾·羅賓斯,肖恩·麥克布萊德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale同類精選
太空異種2026
魏璐,林妍柔,柳揚,王銘,安澤豪,王勉,鄒瑋祺,孫競爭,朱智煌,劉靜怡警察與外星人
路易·德·菲奈斯,米歇爾·加拉布呂,莫里斯里什,朗貝爾·維爾森宇宙怪獸加美拉
マッハ文朱,小島八重子新咒怨(美版)
安德麗婭·賴斯伯勒,德米安·比齊爾,約翰·趙,林·沙燁,貝蒂·吉爾平,威廉·賽德勒,杰基·韋佛,塔拉·維斯特伍德,佐伊·費什,弗蘭基·費森,南?！に魅馉?喬爾·加蘭,布拉德利·索茨基,埃內(nèi)斯托·格里菲思愛上平行時空的你
米拉·埃爾紹娃,尤里·納索諾夫,安東·瓦西利耶夫,柳德米拉·阿爾捷米娃,安東·阿爾特梅夫,埃爾尚·阿列斯克羅夫,納德茲達·伊萬諾娃,羅扎·哈伊魯林娜,瑪麗亞·克羅托娃,尤里·李,康斯坦丁·梅爾茲利金,葉夫根尼·塔庫耶夫多莉
法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊?！ぬK普利,西恩·威廉·斯科特,Max the Impaler影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
河流如血
泰雅·迪格斯,約翰·庫薩克,喬治·洛佩茲,盧克·海姆斯沃斯,Gianni Capaldi,布萊恩娜·伊維根,RJ·米特,Steven Berrebi,賈克琳·弗萊明,陶竤,伊薇特·帕里什The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.
姽婳
閆鹿楊,姜文軒,趙婉嬌,李鐵軍,劉希媛,宋國鑫,顏冠英,于飛,于洛熙知名畫家創(chuàng)作的最后一幅作品“惡靈畫像”后離奇死亡了，女設(shè)計師張琳和同伴早就聽說過“惡靈畫像”具有詛咒的傳說----見者必死。強烈的獵奇心理驅(qū)使貌美性感的張琳走向了尋找“惡靈畫像”的路上，在尋找的過程中不斷遭遇了一系列靈異、詭異事件……身邊同伴不斷失蹤、離奇死亡...... 張琳是否能在探秘的過程中活下來… 是否能夠找到“惡靈畫像”. 真相逐步揭開。
戰(zhàn)栗驅(qū)魔
漢娜·邦·本茲,迪恩·基爾貝,Nicholas AnscombeAn exorcism goes horribly wrong and unleashes a vengeful spirit that has been locked up for centuries.