影片推薦
定時拍攝
丹妮爾·帕娜貝克,馬特·歐萊瑞,阿明·約瑟夫,莎朗·摩翰,喬治·芬,杰森·斯皮薩克,David Figlioli,Judith Drake,Mark C. Hanson單身請開眼
馬里奧·毛瑞爾,Ploypailin Thangprapaporn,Kidakarn Chatkaewmanee,赫拉達奈·蘇萬納霍姆,Sriphan Chunechomboon,納查·佳塔潘,茉拉可·劉,Nakhorn Silachai,Sakonrat Woraurai嘔吐戈爾:殺戮
六度戰(zhàn)栗
愛德華·福隆義務警員
奧利維亞·王爾德,摩根·斯佩克特,凱爾·凱特萊特,托妮·帕塔諾,貝特西·艾頓,切麗絲·迪倫,朱迪·馬爾特,C·J·威爾遜,查克·庫珀,馬塞林·休格特,佩奇·瑞亞,埃斯特凡妮婭·特杰達,貝弗利·阿特金森,希瑟·哈金斯,麗貝卡·斯皮羅,大衛(wèi)·尚布里斯,吉姆·福特,J·D·威廉姆斯,馬格特·賓漢,瑪麗·特斯塔間諜2013
薛景求,文素利,高昌錫,安圣基,丹尼爾·亨利同類精選
古曼童
辛迪·米蘭達,納塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman Esquivel我的老婆是女優(yōu)
Artur Ignatenko,莉莉婭·茨維利科娃,亞歷山大·梅爾尼克探魔導師2之王者聯(lián)盟
洪冰瑤,李鶴楠,于洛熙,葛天,王炳喬,劉惠,陳招,阿肯,周劍飛,管貞喧,美伊,安龍,Milano,毛秀婷,毛秀玲,齊冰,馬馳,王啟蘅,金韜,趙寅辰,宋曌晗,侯雪艷,殷曉維,何然,祁建國,張?zhí)煊?肖磊,萌寶寶,侯耀華,騰奎興,郭憶然,趙英龍,鐘小丹,杜邱,馬滿,王虹,黃靜,盧曉倩,李雪,王子彤,劉芯嘉,蔡姿利,張汐,陳志穎,陳婉儀,靈藥,殷若曦,雪千琪,魏鵬,楊錚,慕巖,史蒂文·達茲,侯晶皓,牛中華,常峰輝,王朋朋,潘靖康,柏樹森,潘臣,汪齊,葛亮,張雪峰異塵余生:尸鬼圣誕節(jié)
榮耀嘻哈
莎黑茲·薩姆,萬·哈納菲蘇,Aida Amron,韓家濠大電影之數(shù)百億
姚晨,黃渤,焦陽,曾志偉,宋佳,王迅影視排行
替補悍警
鮑勃·奧登科克,琳娜·海蒂,布倫丹·弗萊徹,亨利·溫克勒,布萊恩·川上,莎莫·H·豪威爾,德里克·巴恩斯,杰西卡·麥克勞德,Dan De Jaeger,Reena Jolly,勞倫·科克倫,大衛(wèi)·勞倫斯·布朗,卡森·納特拉斯,彼得·新田,辻將太,辛妮·比斯頓,比利·麥克萊倫,瑞恩·艾倫,艾倫·默克,Takahiro Inoue故事發(fā)生在一個名為“諾莫”的偏遠小鎮(zhèn),這里看似風平浪靜,實則暗流涌動。主角尤利西斯在上一任警長離奇意外身亡后,被委任為臨時警長。當鎮(zhèn)上的銀行被一對來自外地的夫婦搶劫時,尤利西斯趕到現(xiàn)場,卻發(fā)現(xiàn)這座小鎮(zhèn)平靜的表象下隱藏著更為險惡的深層秘密——從酒保到神父,鎮(zhèn)上的每個人都是秘密的參與者。而一直試圖逃避過去心魔的尤利西斯,此刻必須揭開這場犯罪陰謀的全部真相。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
賭俠大戰(zhàn)拉斯維加斯
劉德華,張家輝,陳百祥,林熙蕾,郁芳,萬梓良,李菲,王晶,南燕合力擊敗馬交文之后,king(劉德華 飾)與化骨龍(張家輝 飾)聯(lián)合化骨龍的表哥阿叻(陳百祥 飾)騙取了惡人大眼文一筆錢。當他們打算享受一番之際,大眼文把化骨龍抓走了。King與阿叻則被警方帶到與中方高層見面,他們被派往拉斯維加斯捉拿大老千Peter朱(萬梓良 飾)。為了得到巨款拯救化骨龍,king接受了這次任務,前往拉斯維加斯?! ≡诶咕S加斯,小心(郁芳 飾)與阿扁(林熙蕾 飾)一心想找到金龜婿,后來加入了king的老千行列。終于他們遇到了Peter,兩人互相欺騙更多次交手,敵意漸生?! ing用阿扁做餌勾引Peter成功,他們經(jīng)由沙漠公路到洛杉磯,途中Peter極力逃脫。眾人在沙漠奮力搏斗。Peter的手下竟然用直升機拯救,幸好king神機妙算,順利把Peter帶回香港。
東京出租車2025
倍賞千惠子,木村拓哉,蒼井優(yōu),迫田孝也,優(yōu)香,中島瑠菜,神野三鈴,李濬榮,笹野高史,大竹忍,槙田雄司,北山雅康,木村優(yōu)來,小林稔侍,明石家秋刀魚故事圍繞的士司機宇佐美浩二(木村拓哉 飾)展開,他每日奔波于都市間工作養(yǎng)家,卻因女兒的學費、的士驗車費、房屋租金等接踵而至的現(xiàn)實壓力而身心俱疲。某日,浩二接到一項特別的委托——接載年邁的高野堇女士(倍賞千惠子 飾)從東京柴又前往神奈川葉山的養(yǎng)老院。“在離開東京之前,想先到幾個想去的地方看看”,堇女士淡然請求。隨著的士駛過日本的大街小巷,陌生的兩人逐漸打開心扉,堇女士也徐徐道出自己跌宕的人生過往。這趟偶然的旅程,不僅觸動了他們的心靈,也讓二人在平凡的日子中,為彼此的人生留下難忘的美好印記。