皮下之慌

8.1 播放：35萬(wàn) 更新：2026-04-25

不知從何時(shí)起，蕭索的蘇格蘭街頭出現(xiàn)了一個(gè)神秘女子（斯嘉麗約翰遜 Scarlett Johansson 飾），她身著皮草，駕駛一輛汽車，不茍言笑的面龐隱約間彌散著攝人魅力。她時(shí)不時(shí)地與路邊的男人搭訕，向他們問路，間或載著相中的男人同歸。她走向黑暗的勁頭，被欲望支配的男人們緊隨其后，卻全然未能覺察自己步入了怎樣的深淵。男人有如飛蛾撲火，被抽取了骨血，只?？湛掌つ?，薄如蟬翼。直到某個(gè)晚上，女人搭載了一個(gè)相貌極其丑陋的男子。他宛如怪物一般，自知丑陋而深深隱藏自己。女人如往常一樣接納了他，而從第二天起，似乎女人發(fā)現(xiàn)自己在悄悄發(fā)生著變化。她發(fā)現(xiàn)了這幅皮囊的可欣賞之處，享受作為女人的樂趣，卻幾乎忘記了本來(lái)的面目 本片根據(jù)米歇爾 法貝爾（Michel Faber）的小說(shuō)改編。 　　

播放通道

詳細(xì)簡(jiǎn)介

不知從何時(shí)起，蕭索的蘇格蘭街頭出現(xiàn)了一個(gè)神秘女子（斯嘉麗約翰遜 Scarlett Johansson 飾），她身著皮草，駕駛一輛汽車，不茍言笑的面龐隱約間彌散著攝人魅力。她時(shí)不時(shí)地與路邊的男人搭訕，向他們問路，間或載著相中的男人同歸。她走向黑暗的勁頭，被欲望支配的男人們緊隨其后，卻全然未能覺察自己步入了怎樣的深淵。男人有如飛蛾撲火，被抽取了骨血，只?？湛掌つ遥∪缦s翼。直到某個(gè)晚上，女人搭載了一個(gè)相貌極其丑陋的男子。他宛如怪物一般，自知丑陋而深深隱藏自己。女人如往常一樣接納了他，而從第二天起，似乎女人發(fā)現(xiàn)自己在悄悄發(fā)生著變化。她發(fā)現(xiàn)了這幅皮囊的可欣賞之處，享受作為女人的樂趣，卻幾乎忘記了本來(lái)的面目 本片根據(jù)米歇爾 法貝爾（Michel Faber）的小說(shuō)改編。 　　

同類推薦

黑暗之家

Arkadiusz Jakubik,Marian Dziedziel,Kinga Preis,Bartlomiej Topa,Katarzyna Cynke,Robert Wabich,Robert Wieckiewicz,Krzysztof Czeczot,Eryk Lubos,Lech Dyblik,Marcin Juchniewicz,Bartosz3e Zukowski,Grzegorz Wojdon,Slawomir Orzechowski,Anna Grzeszczak

　　1978年的某個(gè)寒冷秋夜，迷路的希羅頓走進(jìn)了一個(gè)偏僻的農(nóng)場(chǎng)。農(nóng)場(chǎng)主夫婦熱情地招待了這位不速之客，賓主一起喝酒聊天，談得十分投機(jī)。不料人心的貪欲引發(fā)了血的悲劇……　　四年后的冬天，姆爾茲警官負(fù)責(zé)調(diào)查這起兇殺案，他和重要證人希羅頓一起前往現(xiàn)場(chǎng)檢證。敷衍了事的調(diào)查、嫌疑人的回想……在一片混沌之中，驚人的真相漸漸浮現(xiàn)而出……

巴黎諜影

約翰·特拉沃爾塔,喬納森·萊斯·梅耶斯,卡夏·斯穆特尼亞克,梅麗莎·瑪斯,Richard Durden,Bing Yin,艾波·羅絲·雷瓦,艾力克·高敦,Fran?ois Bredon,Chems Dahmani,Sami Darr,Julien Hagnery,穆斯塔法·斯提提,麗貝卡·達(dá)揚(yáng),Micha?l Vander-Meiren,Didier Constant

　　法國(guó)青年瑞斯（喬納森?萊斯?梅耶斯 Jonathan Rhys Meyers 飾）在大使館中工作，同時(shí)他還是美國(guó)情報(bào)部門的見習(xí)人員，精明強(qiáng)干的瑞斯對(duì)“換車牌”，加竊聽器之類的任務(wù)自然是駕輕就熟，但是他很快迎來(lái)了真正的挑戰(zhàn)——配合探員瓦克斯（約翰?特拉沃塔 John Travolta 飾）在巴黎的行動(dòng)?！　⊥呖怂棺黠L(fēng)強(qiáng)硬，舉止粗暴?；腥缏嬛凶叱龅拿绹?guó)英雄，甫一下飛機(jī)，便咬住了毒品的線索一路大開殺戒，先后與華人、巴基斯坦和黑人幫派連番激戰(zhàn)……瑞斯對(duì)神奇的瓦克斯目瞪口呆之余，也漸漸跟上了他的節(jié)奏。任務(wù)接近尾聲之時(shí)，兩人意外發(fā)現(xiàn)瑞斯居然也是恐怖分子的目標(biāo)人物之一，原來(lái)恐怖分子們以瑞斯為突破口，試圖刺殺赴法訪問的美國(guó)高官，于是這對(duì)臨時(shí)搭檔，迅速整備出發(fā)……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

巖漿毒蛛

斯蒂夫·古根伯格,尼亞·佩雷斯,帕特里克·瑞納,萊斯利·伊斯特布魯克,丹尼·伍德伯恩,拉爾夫·加曼,喬恩·馬克,阿諾德·陳,邁克爾·溫斯洛,馬里昂·拉姆塞,弗蘭克·鮑沃斯,本杰明·馬卡比,Zac Goodspeed

　　在洛杉磯火山噴發(fā)釋放出巨大的群熔巖呼吸狼蛛。

超時(shí)空傳輸

羅比·阿梅爾,瑞切爾·泰勒,肖恩·本森,亞當(dāng)·布切,坦圖·卡丁諾,Gray Powell,Jacob Neayem,杰米斯皮爾切克

　　未來(lái)世界能源枯竭，食物短缺。雷恩醒來(lái)，三名蒙面人將他和女友劫持，他奮力掙脫卻從樓梯摔下。雷恩再次醒來(lái)，發(fā)現(xiàn)自己經(jīng)歷著同樣的一天。他告訴女友漢娜，卻發(fā)現(xiàn)漢娜和蒙面人是一伙的。雷恩才發(fā)現(xiàn)，他們都陷入了自己制造的ARQ能源機(jī)引發(fā)的時(shí)間循環(huán)中，而雷恩曾經(jīng)效力過(guò)的Torus公司正要奪走這臺(tái)機(jī)器。為了阻止Torus公司，雷恩和漢娜再次進(jìn)入無(wú)限的循環(huán)...