即刻觀影
劇情賞析
編輯推薦
孤島巨蟒
程汁,唐慧,彭夢(mèng)涵,吳泳茵,蘆偉游船遇風(fēng)暴沉沒(méi)，陸霆、女友陳清、李娜、陳清閨蜜馬櫻（陸霆前女友）漂至荒島。眾人遭巨蟒襲擊，得探險(xiǎn)者遺物求生。馬櫻因妒生事，后聯(lián)合落難駕駛員王強(qiáng)，王強(qiáng)卻被巨蟒吞噬，馬櫻悔悟坦白。巨蟒擄走陳清，眾人設(shè)伏，馬櫻與巨蟒同歸于盡。數(shù)月后，陸霆、李娜乘直升機(jī)獲救。
星際叛將：歐西里斯之子
凱南·魯茲,丹尼爾·麥克弗森,伊莎貝爾·盧卡斯,盧克·福特,瑞切爾·格里菲斯,特穆拉·莫里森,布倫·福斯特,杜文·史蒂文森,蒂根·克羅夫特,黃芝琪,費(fèi)拉斯·迪拉尼,哈里·帕夫利迪斯,保羅·溫徹斯特,佐伊·文圖拉,布倫丹·克萊金故事背景設(shè)定在星際殖民的未來(lái)時(shí)代，神秘的漂泊者賽（凱南魯茲飾）遇見(jiàn)了為地球外軍事承包商艾克索工作的中尉肯恩（丹尼爾麥佛森飾），這對(duì)背景南轅北轍的搭檔，必須在艾索克掀起的星球危機(jī)中，同心協(xié)力救出肯恩的小女兒，而為了理念背叛神通廣大的艾索克的兩人，除了必須面對(duì)天羅地網(wǎng)般的追捕，還得戰(zhàn)勝游蕩在荒蕪星球上的野蠻生物。
X誰(shuí)嫁誰(shuí)噶了誰(shuí)
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達(dá)克,Brendan Morgan,Haley Victoria Hunt,RJ·費(fèi)瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊當(dāng)真實(shí)犯罪迷伊娃-沃（露西·海爾 Lucy Hale 飾）在她 30 歲生日那天被她的好朋友們推到約會(huì)應(yīng)用程序的世界里時(shí)，她突然發(fā)現(xiàn)自己處于一樁真實(shí)謀殺案的中心。 隨著她最喜歡的播客揭露了謀殺案的新細(xì)節(jié)，她意識(shí)到與她約會(huì)的三個(gè)男人中，有一個(gè)可能就是肆虐全城、臭名昭著的 "向右滑動(dòng)殺手"！ 現(xiàn)在，伊娃和她的朋友們要做的，就是在這部精彩絕倫的喜劇驚悚片中，搞清楚哪一個(gè)約會(huì)對(duì)象是同性戀、潛在的丈夫或殺手。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
天竺藍(lán)調(diào)
布麗·拉爾森,烏特卡什·安邦德卡爾,斯科特·巴庫(kù)拉,薩西爾·塞加爾,泰恩·黛莉,唐納德·薩瑟蘭,拉克希米·曼楚,布格斯·巴爾加瓦,達(dá)里普·塔西爾,蘇哈西妮·穆雷,凱扎德·科特瓦爾,Jaswinder Singh Kambo,阿西夫·阿里·貝格,卡里姆·哈吉,Prashant Prakash年輕貌美的美國(guó)科學(xué)家琳達(dá)（布麗·拉爾森 飾），被公司總裁葛根（唐納·蘇德蘭 飾）派往印度銷(xiāo)售她所培育的“9號(hào)稻米”。初次來(lái)到印度的琳達(dá)飽受文化沖擊，還好有當(dāng)?shù)啬贻p官僚威廉的協(xié)助，讓她可以在那邊安心地邊研究邊銷(xiāo)售。此時(shí)，她遇到一位因?yàn)槔U不出學(xué)費(fèi)而輟學(xué)的大學(xué)生羅杰（烏特卡什·安邦德卡爾 飾），兩人在研究與爭(zhēng)執(zhí)過(guò)程當(dāng)中陷入熱戀，羅杰也幫她發(fā)現(xiàn)被派往印度的丑陋內(nèi)幕……原來(lái)她想要幫助印度農(nóng)民的研究成果，竟不知不覺(jué)地被無(wú)良的葛根濫用，即將對(duì)農(nóng)民造成毀滅性的傷害…琳達(dá)該要如何阻止這場(chǎng)災(zāi)難？而她與羅杰的異國(guó)戀又將會(huì)開(kāi)花結(jié)果嗎？
劫車(chē)王
佐伊·馬奇爾,弗蘭克·蓋思堂彼得,Bosh,Chilla,Alassane Diong,Disiz La Peste,Hafid F. Benamar,科林·貝茨,米蘭妮·讓帕諾米,Zoé Diowo-Ceccaldi,Florence Fauquet,喬納森·德繆杰,阿利克斯·貝納澤什,帕斯卡爾·艾爾索,Eva Windstein,Agnès Godey,Erwan Szejnok,Azad Boutella,Wendy Grenier,Noémie Desbordes白天，他們是隱形的——豪華酒店的服務(wù)員、女招待和調(diào)酒師。到了晚上，他們就是劫車(chē)者，一群熟練的司機(jī)，在路上追蹤和搶劫富有的客戶。當(dāng)他們計(jì)劃最終的搶劫時(shí)，酒店經(jīng)理雇傭了一名無(wú)情的殺手，不惜一切代價(jià)阻止他們。隨著危險(xiǎn)的臨近，諾拉、佐伊、史蒂夫和普雷斯頓能取得迄今為止最大的成績(jī)嗎？