罪人:女色情狂日記 Le Journal intime d'une nymphomane
琳達(dá)·瓦格斯在一家酒吧接奧爾蒂斯,她在一家與瑪麗亞·托萊達(dá)諾合作的女同性戀節(jié)目中工作。她引誘他,打電話報(bào)警自殺。奧爾蒂斯因涉嫌謀殺而被拘留。奧爾蒂斯的妻子羅莎拜訪了琳達(dá)的一位朋友,安娜·德·蒙特里伯爵夫人,她告訴她琳達(dá)是如何在公平的環(huán)境中被奧爾蒂斯襲擊后,進(jìn)入性和毒品的漩渦中的。琳達(dá)成了伯爵夫人的情人,然后與伯爵夫人的男友阿爾貝托發(fā)生了災(zāi)難性的戀情。羅莎還遇到了瑪麗亞,瑪麗亞拿著琳達(dá)的日記,她講述了一個(gè)假醫(yī)生是如何讓她遠(yuǎn)離毒品,變成了一個(gè)色情狂。
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民國驚魂錄
郝普,陳凱欣,曹璐守株人
楊紫,駱達(dá)華,杜奕衡,劉筱筱,林雪,林妙可馬路天使
珍妮·蓋諾,查爾斯·法萊爾,娜塔莉·金斯頓,亨利·阿爾梅塔,圭多·特倫托,阿爾貝托·拉巴利亞蒂,路易斯·利格特,彌爾頓·迪克森青出于藍(lán)2025
索菲婭·莉莉絲,戴夫·巴蒂斯塔,鮑比·坎納瓦爾,凱特·德爾·卡斯蒂洛,杰克·尚皮永,托尼·達(dá)爾頓,布魯·德爾·巴里奧,印達(dá)·納瓦雷特,惠特尼·皮克,澤爾·亞當(dāng)斯瘋狂天才
史賓塞·洛克,泰米娜·森尼,法蘭·塔希爾,斯科特·麥克洛維茨,麗維·陳,克里斯·梅森,格本加·阿金納格貝,brandon scott,klement tinaj,derek s. orr,nicole fahel雙山阻擊戰(zhàn)
洪衛(wèi),劉冠霖,葛佳佳,郭廣平,周惠林同類推薦
摩斯拉
堺正俊,香川京子,Furank? Sakai,小泉博Shipwreck survivors are found on Beiru Island (Infanto t?), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path.
提線木偶
李忠秀,具智成,韓素英學(xué)識淵博偉岸帥氣的任智勛(李忠秀 飾)是小有名氣的精神科醫(yī)師,他偏向冷靜思維人與人之間的情感,將一切都?xì)w于最理性科學(xué)解釋,內(nèi)心雖感深深孤獨(dú),卻時(shí)常和不同的女子夜夜歡歌,雙棲雙宿,一味沉湎肉體的歡愉。他的同事兼好友俊基則不然,是一個(gè)追求真愛的傳統(tǒng)男子。俊基通過相親結(jié)識美麗的提線木偶師賢貞(具智成 飾),然而對方仿佛隱藏的無盡的心事。賢貞時(shí)常會看到恐怖的鬼影出現(xiàn)在她的面前,有時(shí)會莫名其妙失去知覺。為了幫助女友擺脫困境,俊基拜托智勛采用催眠的辦法為賢貞治療?! 〈呙哌^程中,賢貞講述了自己隱秘的過去,并開始表現(xiàn)出妖冶鬼魅的人格。禁不住誘惑,智勛利用催眠跨越禁區(qū),全然不計(jì)任何后果……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
跨國銀行
克里夫·歐文,娜奧米·沃茨,阿明·繆勒-斯塔爾,烏爾里奇·湯姆森,布萊恩·F·奧博恩規(guī)模龐大幾乎盤踞全球的跨國銀行IBBC在這個(gè)錢權(quán)主宰的社會里簡直無所不能,它不僅操控著各國經(jīng)濟(jì),牽制著政府的決策,甚至參與洗錢、販賣軍火、勒索綁架等各種黑道行動,它就像一只大章魚將觸角伸向黑夜的每個(gè)角落。國際刑警路易斯·塞林格(克里夫·歐文 Clive Owen 飾)目睹同事因企圖泄露銀行機(jī)密而遭遇暗殺,他決意受命前往柏林徹查IBBC洗錢內(nèi)幕,得益于另一位正義者副檢察官埃莉諾·惠特曼(娜奧米·沃茨 Naomi Watts 飾)的同行協(xié)助,兩人很快發(fā)現(xiàn)了跨國銀行更多鮮為人知的非法活動,甚至包括資助恐怖分子和發(fā)動戰(zhàn)爭。兩人決心揭露跨國銀行的真實(shí)面目,然而,無所不知的IBBC早已注意到這兩只螻蟻,殺手隨即派到,路易斯和埃莉諾最終能否贏得這場螳臂當(dāng)車的生死周璇?
盜墓大案
李丞峰,徐光宇,石兆琪,范雷,姜寒,要武,陳韻錦這是一部講述公安干警李方中、鐵鶴等舍生忘死與盜墓團(tuán)伙頭目“老祖”斗智斗勇,最終將其擒獲并把所有盜墓團(tuán)伙一網(wǎng)打盡,追回并保護(hù)了國寶、文物的影片。