小情人大風波

評分:4.8 播放:32萬 更新:2026-04-26

她又遲到了,布魯諾在公寓里等得發(fā)狂,不斷和朋友辯論著在愛情里保有自尊的重要性,布魯諾決定,如果她這次遲到超過45分鐘,他就要徹底和她分手。45分鐘過去,她終于來了法國偶像級導演歐容的最新短片,獨幕劇的結(jié)構里,肉感又華美的鏡頭交織出一幅幅戀愛場景,俊男美女口若懸河,機鋒處處的對白探索著愛情里永難企及的平衡點。   

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70年代,洪英真出?在H國華?街的武林世家“洪刀門”,因成?過程?事?成被眾?戲稱為“廢柴”。   ?次機會,洪英真偶遇?同學包掂并認識了“忠孝堂”豹哥,卷??場陰謀當中。?武林??“?塵”?早看穿洪英真是潛在練武奇才,于是打通其筋脈。   洪英真迫聽?塵的建議躲到和平村。在和平村?,洪英真陰差陽錯惹上惡霸林?爺。萬萬沒想到林?爺?shù)??竟然是豹哥,于是洪英真與豹哥的恩怨?再次拉開……

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克里斯托弗·阿波特,朱莉婭·加納,瑪?shù)贍栠_·弗思,山姆·賈格,本·普倫德加斯特,扎克·錢德勒,本尼迪克·哈迪,米洛·考索恩,雷·沃納爾,羅伯·馬克布萊德

  布雷克(克里斯托弗·阿波特 Christopher Abbott 飾)是一名住在舊金山的丈夫和父親。當他自己的父親失蹤并被判定死亡之后,他繼承了他位于俄勒岡州鄉(xiāng)下偏遠地區(qū)的童年老家。當他和他事業(yè)有成的女強人妻子夏莉特(朱莉婭·加納 Julia Garner 飾)的婚姻逐漸走向破裂,布雷克就說服夏莉特帶著他們年幼的女兒金潔(瑪?shù)贍栠_·弗 思 Matilda Firth 飾)一起離開城市,前往他的童年老家度假。  但是當這一家人在深夜來到這座農(nóng)舍時,他們突然遭到一只看不見的怪獸攻擊,為了逃離危險,他們就躲進農(nóng)舍里面,并且將所有入口封住,而那只怪獸則在外面徘徊。當他們驚懼地試圖度過漫漫長夜時,布雷克卻開始出現(xiàn)奇怪的舉動,而且逐漸變成一種不知名的怪物,于是夏莉特就被迫必須決定:到底是屋內(nèi)的恐怖更致命,還是外面的危險更可怕?

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster