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還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村林美嘉(李昕蕓 飾)、安曉晨(李媛 飾)和陳宇林(范逸臣 飾)大學(xué)時代便認(rèn)識的好友,曉晨與宇林更是親密的情侶。畢業(yè)后這對閨蜜共同進(jìn)入一家服裝設(shè)計(jì)公司,在殘酷的職場中果敢自信的曉晨扶搖直上,很快成為一支團(tuán)隊(duì)的負(fù)責(zé)人,這讓美嘉心中難免有所芥蒂。某次二人受公司指派去泰國尋找素材,希望轉(zhuǎn)運(yùn)的美嘉堅(jiān)持要去某個偏僻所在向法師求佛牌。此后,兩人在泰國遭遇離奇火災(zāi),曉晨命喪異國他鄉(xiāng),美嘉則僥幸逃生,但失去了泰國之行的所有記憶。身為心理醫(yī)生的宇林固然傷心,同時希望通過自己的專業(yè)技能幫助美嘉走出陰影。 可是這番治療絲毫沒有效果,美嘉被恐怖的幻覺所困擾,情況愈演愈烈……
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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怪物2023
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