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劇情提要
浩欲在香港闖一番事業(yè),于是帶同妻子蓮及小倩來港,投靠多年好友坤,坤帶浩三人見天哥,天見蓮及倩姿色,欲想一箭雙雕。天利用金錢引誘,小倩因貪慕虛榮,獻身于天,但蓮不為所動。天迫坤帶蓮到別墅,欲強暴蓮,蓮為保清白,跳樓重傷。浩見殘廢妻子,徑與坤找天報仇,二人慘被擊殺,倩孤身無助,找天對頭七叔,作出最后一個犧牲,以肉體作為她報仇之代價
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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