柏林情事
別名:柏林風(fēng)情畫/The Berlin Affair nbsp; 1938年的德國,正處于二戰(zhàn)前風(fēng)云變幻的動蕩中。年輕的納粹外交官漢斯(Kevin McNally飾)之妻路易斯(Gudrun Landgrebe飾)卻終日與丈夫沉浸在悠閑的貴族生活中,恩愛無限。一個偶然的機(jī)會,路易斯在藝術(shù)學(xué)院的繪畫班邂逅了日本駐德國大使松枝正雄之女松枝美津子(高樹澪/mio takaki飾)。美麗優(yōu)雅又充滿東方情調(diào)的美津子深深地吸引了路易斯,兩人在幾次接觸后不可救-地墜入情網(wǎng)。二人終日沉浸在藝術(shù)殿堂里,纏綿悱惻。而這非比尋常的關(guān)系很快被漢斯發(fā)覺,他試圖阻止已經(jīng)身陷情網(wǎng)的妻子。同時,美津子的前男友,繪畫老師邦諾(Philippe Leroy)也在處心積慮地設(shè)計于這對同性戀人。這段驚世駭俗的異國同性之戀為保守的德日兩國所不容,身份特殊的兩個女人將何去何從? 意大利著名女導(dǎo)演莉莉安娜卡瓦尼的情色經(jīng)典,改編自日本文學(xué)家谷崎潤一郎的名作《納粹》。在保留了原作妖艷纏綿的風(fēng)格同時,加入了濃厚的政治色彩。是喜歡歐洲電影朋友不可不看的經(jīng)典。
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劇情簡介
別名:柏林風(fēng)情畫/The Berlin Affair nbsp; 1938年的德國,正處于二戰(zhàn)前風(fēng)云變幻的動蕩中。年輕的納粹外交官漢斯(Kevin McNally飾)之妻路易斯(Gudrun Landgrebe飾)卻終日與丈夫沉浸在悠閑的貴族生活中,恩愛無限。一個偶然的機(jī)會,路易斯在藝術(shù)學(xué)院的繪畫班邂逅了日本駐德國大使松枝正雄之女松枝美津子(高樹澪/mio takaki飾)。美麗優(yōu)雅又充滿東方情調(diào)的美津子深深地吸引了路易斯,兩人在幾次接觸后不可救-地墜入情網(wǎng)。二人終日沉浸在藝術(shù)殿堂里,纏綿悱惻。而這非比尋常的關(guān)系很快被漢斯發(fā)覺,他試圖阻止已經(jīng)身陷情網(wǎng)的妻子。同時,美津子的前男友,繪畫老師邦諾(Philippe Leroy)也在處心積慮地設(shè)計于這對同性戀人。這段驚世駭俗的異國同性之戀為保守的德日兩國所不容,身份特殊的兩個女人將何去何從? 意大利著名女導(dǎo)演莉莉安娜卡瓦尼的情色經(jīng)典,改編自日本文學(xué)家谷崎潤一郎的名作《納粹》。在保留了原作妖艷纏綿的風(fēng)格同時,加入了濃厚的政治色彩。是喜歡歐洲電影朋友不可不看的經(jīng)典。
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旁觀者2025
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
一條道走到黑
一個三十多歲的男子在大城市謀生,為了走出混亂的生活,無意識地想象出一個幻想與現(xiàn)實(shí)并存的世界。
愛定你殺定你
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