女朋友的品味3

鬼三驚3

　　高速公路：琵姆是高速公路收費站夜班收費員。凌晨三點鐘在她當值的時候，一股邪惡力量正在威脅她的生命。 一夜情：譚是一個繪畫修復者，喜歡參加各種派對和夜店。一天，譚遇見了一個神秘、性感的女人娜潘，并對她一見鐘情。第二天凌晨三點鐘，他找到娜潘并跟隨她到她家。這個女人究竟是誰？ 電視直銷：山姆是一檔電視購物節(jié)目的導演。他的組員和主持人打算合伙捉弄他。他們密謀了一系列奇異的事件，想要報復一下這個自大的導演。凌晨三點鐘，導演助理歐接到了山姆女朋友的電話，她打電話來是告訴他，山姆在來電視臺的路上出車禍死了。歐試圖把這個消息告訴組員們，但是沒人相信他的話。這時，所有燈瞬間熄滅，惡作劇開始了……

靈蝕

　　自從父親死后，薇若妮卡就一直姊代母職照顧弟弟。思念父親的她，和兩個朋友在日全蝕那天，做了碟仙板以召喚她父親的靈體。不料就在日光完全遭到遮蔽同時，玻璃破碎，薇若妮卡陷入恍惚狀態(tài)然后昏迷，朋友們也嚇得驚慌失措。薇若妮卡清醒后回家，卻開始發(fā)現(xiàn)一些異象：東西自己會移動、看不見的地方傳來正體不明的呼吸聲……她覺得是她把父親帶回了生者的世界，可是這些異象卻越發(fā)不懷好意，讓她備感威脅。在弟弟的幫助下，薇若妮卡展開一項儀式要脫離靈體糾纏，卻召喚出始料未及的恐怖幻影，雖然薇若妮卡勇敢地抵抗，但她卻渾然不知可怕的后果正等著她……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

玉米地的小孩：大逃亡

　　年輕的孕婦露絲逃脫了兇殘的兒童邪教。在接下來的十年里，她匿名生活，試圖使兒子免遭她小時候所經(jīng)歷的恐怖，但有邪惡跟著她，現(xiàn)在，她必須面對邪惡，或者失去孩子……

天使航班電影版

本片劇情依然圍繞遺體送還公司“天使之心”展開。社長伊澤那美得知8年前身亡的戀人或許仍在世而心神動搖。萬圣節(jié)期間，公司成員奔赴世界各地處理送還事務：有人面對因嬰兒猝死而自責的母親，有人護送突然離世的明星回國，也有人送別在旅途中去世的青年。那美在墨西哥執(zhí)行任務時，一邊處理逝者身后事，一邊被舊日戀情的線索牽動，在生死與思念交織中重新審視自己的內心。

燭影危林