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全面開(kāi)戰(zhàn)：兄弟會(huì)
納魯納·科斯塔,Camilla Dami?o,大衛(wèi)·桑托斯,艾爾茲奧·維埃拉,Enio Cavalcante,艾米拉·蓋德斯,Lee Taylor,馬西莉亞·卡爾塔舒,塞烏·喬奇,史蒂法尼·莫塔,Samurai Cria在恐懼狀態(tài)下，兄弟會(huì)成員面臨著一個(gè)關(guān)鍵時(shí)刻，他們的主要領(lǐng)導(dǎo)人被轉(zhuǎn)移到最高安全級(jí)別的監(jiān)獄，威脅著該組織的穩(wěn)定。Elisa（Camilla Dami?o飾）是兄弟會(huì)創(chuàng)始人Edson（Seu Jorge飾）的18歲女兒，在犯罪邊緣長(zhǎng)大，被腐敗的警察綁架。當(dāng)她的阿姨克里斯蒂娜（納魯娜·科斯塔飾）試圖營(yíng)救她時(shí)，該團(tuán)伙下令進(jìn)入“恐懼狀態(tài)”，對(duì)警察局和安全部隊(duì)發(fā)動(dòng)一波暴力襲擊，使圣保羅市陷入混亂。在動(dòng)蕩之中，Elisa和Cristina努力應(yīng)對(duì)正義和暴力的困境，因?yàn)檫^(guò)去和現(xiàn)在的選擇相互碰撞，塑造了他們的命運(yùn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
我的同桌是極品
宋晨,苑喬王元娥（苑喬 飾）一直以來(lái)都深深的愛(ài)慕著名為陳喆的男生，可是，王元娥知道自己非常的普通，和在校園里閃耀著耀眼光芒的陳喆相去甚遠(yuǎn)，所以選擇將這份感情深深的埋藏在心底。單求胥的父親將兒子送進(jìn)了王元娥和陳喆所在的班級(jí)之中，單求胥的目的很簡(jiǎn)單，那就是混到順利畢業(yè)，然后出國(guó)追求自己的自由自在的人生。 一次偶然之中，王元娥和單求胥之間爆發(fā)了爭(zhēng)吵，但也正因?yàn)槿绱耍瑔吻篑愕靡宰哌M(jìn)了王元娥的內(nèi)心，發(fā)現(xiàn)了她單純善良的一面，并為此深深著迷。可是，王元娥的全部心思都掛在了陳喆的身上，這讓單求胥非常的苦惱。
鬼貓
黃氏·塞繆爾·安,Thien An,紅桃,Nguyen Thuc Thuy Tien在順化的陶瓷馬賽克工藝世家中，心愛(ài)的長(zhǎng)孫離奇死亡，使梅比奇求助于「靈貓」復(fù)活孫子，沒(méi)想到惡鬼也隨之而來(lái)，開(kāi)始發(fā)生一連串噩夢(mèng)般的神秘事件…。
浴血蔣家河口
任帥,關(guān)亞軍,曹楠,計(jì)美臣蔣家河口戰(zhàn)役打響了新四軍抗戰(zhàn)的第一槍，也是新四軍挺進(jìn)敵后打伏擊的第一仗。此役以少克眾，以弱勝?gòu)?qiáng)，孤軍深入，出奇制勝，給了囂張跋扈、不可一世的日本侵略者一個(gè)結(jié)結(jié)實(shí)實(shí)的下馬威，極大地鼓舞了中國(guó)軍民的抗戰(zhàn)斗
無(wú)垢的證人
唐澤壽明,當(dāng)真亞美放棄作為人權(quán)派律師之路，在大型律師事務(wù)所為大企業(yè)工作的律師長(zhǎng)谷部恭介（唐澤壽明 飾）。出于維護(hù)大所體面的方針，他以國(guó)選辯護(hù)人的身份，接手了一起資產(chǎn)家殺人案中被告家政婦的辯護(hù)工作。然而，被告家政婦主張自己無(wú)罪，稱“我沒(méi)有殺人，只是在對(duì)方試圖自殺時(shí)想要救她”。 作為檢方證人的，是案件唯一的目擊者——住在對(duì)面的少女小池希美（當(dāng)真亞美 飾）。長(zhǎng)谷部得知希美患有自閉譜系障礙。通過(guò)不斷前去拜訪，他逐漸與她拉近距離、建立信任，但在法庭上，卻不得不以證人與辯護(hù)人的身份與她正面相對(duì)……