巴黎野玫瑰

? 4.4 播放：10萬(wàn) 2026-04-26

貝蒂（碧翠斯·黛爾暫無(wú)內(nèi)容Béatrice暫無(wú)內(nèi)容Dall飾）是一個(gè)性格自由而極端的女子。她受不得約束，忍受不得心愛(ài)的人被別人欺騙和侮辱，才華受不到重視。當(dāng)桑格（讓·雨果·安格拉德暫無(wú)內(nèi)容Jean-Hugues暫無(wú)內(nèi)容Anglade飾）收容下她以后，她的這些個(gè)性如此鋒利，讓人喘不過(guò)氣。她跟桑格瘋狂的做愛(ài)，她近乎瘋狂的追求完美主義的愛(ài)情。當(dāng)她發(fā)現(xiàn)桑格是個(gè)天才的作家時(shí)，毅然把他的小說(shuō)手稿一字一字不分晝夜的打成鉛字，交給出版商。然而，沒(méi)有人愿意接受，絕望也一點(diǎn)點(diǎn)在貝蒂身體里蔓延。她無(wú)所顧忌的傷害那些傷害自己和桑格的人們，偏執(zhí)而不能容忍眼中的污垢。沒(méi)能懷孕的消息更是給了她當(dāng)頭一棒。于是，貝蒂不可避免的瘋了，甚至挖掉自己的眼球……桑格的眼中，貝蒂成了一個(gè)生不如死的女子。

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劇情提要

貝蒂（碧翠斯·黛爾暫無(wú)內(nèi)容Béatrice暫無(wú)內(nèi)容Dall飾）是一個(gè)性格自由而極端的女子。她受不得約束，忍受不得心愛(ài)的人被別人欺騙和侮辱，才華受不到重視。當(dāng)桑格（讓·雨果·安格拉德暫無(wú)內(nèi)容Jean-Hugues暫無(wú)內(nèi)容Anglade飾）收容下她以后，她的這些個(gè)性如此鋒利，讓人喘不過(guò)氣。她跟桑格瘋狂的做愛(ài)，她近乎瘋狂的追求完美主義的愛(ài)情。當(dāng)她發(fā)現(xiàn)桑格是個(gè)天才的作家時(shí)，毅然把他的小說(shuō)手稿一字一字不分晝夜的打成鉛字，交給出版商。然而，沒(méi)有人愿意接受，絕望也一點(diǎn)點(diǎn)在貝蒂身體里蔓延。她無(wú)所顧忌的傷害那些傷害自己和桑格的人們，偏執(zhí)而不能容忍眼中的污垢。沒(méi)能懷孕的消息更是給了她當(dāng)頭一棒。于是，貝蒂不可避免的瘋了，甚至挖掉自己的眼球……桑格的眼中，貝蒂成了一個(gè)生不如死的女子。

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等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

錯(cuò)誤指控

　　一次演奏會(huì)上，小提琴家瑞安（萊斯利?尼爾森 Leslie Nielsen 飾）邂逅了美艷婦人勞倫（凱麗?勒布克 Kelly LeBrock 飾），勞倫對(duì)他大拋媚眼，嚇得瑞安不知所措。聯(lián)合國(guó)秘書(shū)長(zhǎng)羅伯特將到哥倫比亞作反恐演講，勞倫的丈夫希賓負(fù)責(zé)安排一切。這天瑞安收到了勞倫的邀請(qǐng)，并注明如果他不前來(lái)她將自殺。揣揣不安的瑞安如約來(lái)到了勞倫的別墅，卻發(fā)現(xiàn)希賓早已倒地身亡。突然，一名獨(dú)眼獨(dú)臂獨(dú)腿的男人出現(xiàn)將瑞安擊暈了?！　‘?dāng)瑞安醒來(lái)后，他已被警察抓了起來(lái)，荒謬的是，瑞安謀殺希賓的罪名成立了。盡管他一再分辯，但他還是被押往監(jiān)獄。途中囚車意外翻下了山崖，大難不死的瑞安開(kāi)始了亡命天涯，他一方面要逃避追捕，一方面要設(shè)法找證據(jù)還自己一個(gè)清白！