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洛桑的家事
金巴,扎西,加華草,更旦,居瓊欽洛桑的三歲孫女央金被酒后駕駛拖拉機(jī)的豆拉伽撞成了高位截癱，由此引發(fā)了三個(gè)家庭的矛盾，最后和解，實(shí)現(xiàn)了信仰與法律的相輔相成。
歌舞大王齊格飛
威廉·鮑威爾,瑪娜·洛伊,路易絲·賴納,弗蘭克·摩根羅伯特．Z．倫納德導(dǎo)演的這部影片以百老匯最大的歌舞團(tuán)——齊格菲歌舞團(tuán)的創(chuàng)辦人佛羅倫斯．齊格菲的生平為題材，是三十年代好萊塢歌舞片黃金時(shí)代的重要代表作之一。當(dāng)時(shí)獲得了第九屆奧斯卡最佳影片等三項(xiàng)大獎(jiǎng)，女星路易絲．萊娜演出齊格菲的首任妻子，獲最佳女主角獎(jiǎng)。齊格菲年輕時(shí)是雜耍節(jié)目中表演的藝人。1893年到百老匯發(fā)展，建立了歌舞團(tuán)的知名度，1907年創(chuàng)辦了以美女盛裝演出大型歌舞著稱的齊格菲歌舞團(tuán)，贏得歌舞大王的稱號(hào)。齊格菲一角由威廉．鮑威爾擔(dān)綱演出，男女主角都表演得很好。
社區(qū)戰(zhàn)警
Poramat Paywongsa,Nattaporn Phetskaew,Kittisak Phrosekaew當(dāng)社區(qū)的毒品問(wèn)題開(kāi)始影響居民并引發(fā)動(dòng)亂時(shí)，人們將求助的目光投向了警方。然而，這些本應(yīng)保護(hù)和服務(wù)民眾的警官們，卻對(duì)此問(wèn)題視而不見(jiàn)。一群熱心居民組成民防隊(duì)，誓言將肅清不法掃蕩三害！
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
圣誕宅急便
Tomasz Schuchardt,Lukasz Simlat,Miroslaw Baka貨運(yùn)公司的壞同事惡搞她的送貨工作，幸好有好心客人幫忙，兩人現(xiàn)在得跟時(shí)間賽跑，將圣誕禮物及時(shí)送到收件人手上。
震耳欲聾
檀健次,蘭西雅,王戈,王硯輝,遲蓬,潘斌龍,李菁菁,寧桓宇,周政杰灰度律師李淇（檀健次飾）因出身于聾人家庭，被卷入一場(chǎng)聾人反詐案中。當(dāng)他利用案件名利雙收之時(shí)，卻未曾想詐騙案遠(yuǎn)比想象的復(fù)雜。這一次，在欲望和良知的抉擇中，他會(huì)如何破局？ 本片部分取材自CODA律師張琪真實(shí)從業(yè)經(jīng)歷。