佛斯托醫(yī)生

　　十八歲女孩瑪麗亞（英迪婭·埃斯利 飾）經(jīng)常受到同學(xué)欺負(fù)，使她變得自卑，害怕。有一天她發(fā)現(xiàn)鏡子里的另一個(gè)她，艾蘭。　　艾蘭（英迪婭·埃斯利 飾）既勇敢又無畏，幫助瑪麗亞開啟了復(fù)仇之路......

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　未來世界能源枯竭，食物短缺。雷恩醒來，三名蒙面人將他和女友劫持，他奮力掙脫卻從樓梯摔下。雷恩再次醒來，發(fā)現(xiàn)自己經(jīng)歷著同樣的一天。他告訴女友漢娜，卻發(fā)現(xiàn)漢娜和蒙面人是一伙的。雷恩才發(fā)現(xiàn)，他們都陷入了自己制造的ARQ能源機(jī)引發(fā)的時(shí)間循環(huán)中，而雷恩曾經(jīng)效力過的Torus公司正要奪走這臺(tái)機(jī)器。為了阻止Torus公司，雷恩和漢娜再次進(jìn)入無限的循環(huán)...

　　在從拘留中心獲釋后，無證移民艾莎搬到了紐約市，發(fā)誓要逃離追逐她的種種困境。在皇后區(qū)，她愛上了剛退伍的軍人斯金納，他們互相扶持，共同面對(duì)在美國開始新生活的種種復(fù)雜挑戰(zhàn)。這是一個(gè)關(guān)于兩個(gè)被世界遺忘的人的深刻而真實(shí)的愛情故事。