劇情縱覽
本作は、すでに男性機(jī)能を失っている男の悲哀と爆発する妄想力を描いた艶笑コメディ。主人公は公園のベンチで居眠りする娘に戀をした老浮浪者だ。老人は人生最後の戀を成就させるため、ある突拍子もないアイデアを思い付く。そして眠っているだけで裕福になると教えられた娘を待ち受ける、摩訶不思議な運(yùn)命がつづられる。
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臻選佳作
異羽之鳥
賈亞士里,Mahadev Hadapad,Rekha Kudligi
馬諾哈拉·K在13歲時就憑借在影片《鐵路少年》中的出色表演榮獲印度國家電影獎最佳兒童演員獎。如今，二十出頭的馬諾哈拉初執(zhí)導(dǎo)筒，將女作家索尼婭·S的獲獎自傳小說搬上銀幕，講述了一個白化病女孩的成長之路。片中，來自貧困家庭的索尼婭因?yàn)榘谆≡趯W(xué)校受到歧視和敵意，父親置若罔聞、母親有心但無力，她只能依靠自己。導(dǎo)演并沒有向索尼婭投去同情目光，而是帶著一定距離感去呈現(xiàn)她的處境，成功塑造了一個勇敢、樂天的女孩如何接納自己并讓白化病這個“缺點(diǎn)”成為特點(diǎn)。
瘋狂的外星人
黃渤,沈騰,湯姆·派福瑞,馬修·莫里森,徐崢,于和偉,雷佳音,劉樺,鄧飛,蔡明凱,王戈,凱特·納爾遜,王硯偉,呲路
號稱銀河系最先進(jìn)的外星文明試圖和地球建交，誰知一連串的誤會導(dǎo)致意外發(fā)生。外星使者的飛船墜入大氣層，最終摔在了中國某市的世界公園中?？克：飸?yàn)樯墓⒑疲S渤 飾）和酒販子好友大飛（沈騰 飾）把受傷的外星人錯認(rèn)為來自南美洲的猴子，在自家猴子受傷的情況下，耿浩開始訓(xùn)練起這個他口中的“剛果騷騷猴”來了。由于失去了超能力加成設(shè)備，外星人的本事無法施展，只能任由這兩個傻乎乎的地球人打罵操練。盡管如此，他仍試圖奪回自己的裝備。另一方面，之前與外星人交流失敗的超級大國根據(jù)外星人留下的信息，穿梭世界各地尋找外星使者。地球的命運(yùn)朝著不可預(yù)測的方向發(fā)展…… 本片創(chuàng)意來自劉慈欣的科幻小說《鄉(xiāng)村教師》。
怪獸與女孩
艾倫·德魯,Robert Paige,保羅·盧卡斯
Scot想要從歹徒手中救出妹妹，卻遭人陷害，被控謀殺，被處以死刑。一位瘋狂科學(xué)家把Scot的大腦植入大猩猩體內(nèi)，Scot以大猩猩的身軀復(fù)活，開始他的復(fù)仇...
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster