播放通道
詳細(xì)簡介
熱門影視 大家都在看
八棺索財
喻恩泰,曹鶴陽,蘇濛濛恐怖高速
艾琳·迪茨,西蒙·飛利普斯,Shannon Dalonzo,約翰·D·希克曼,賈斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo食人之饑
馬克-安德烈·格隆丁,莫妮亞·肖克里,Charlotte St-Martin阿特拉斯聳聳肩2
薩曼莎·瑪西絲,杰森·貝蓋,埃塞·莫拉雷斯,帕特里克·法比安,金·羅德斯,理查德·T·瓊斯,D·B·斯威尼,保羅·麥克蘭尼,約翰·魯賓斯坦,羅伯特·皮卡多,雷·懷斯,戴德里克·巴德,巴格·霍爾,阿爾耶·格羅斯,瑞克斯·林恩米納里
史蒂文·元,韓藝璃,達(dá)里爾·考克斯,威爾·帕頓,尹汝貞,蒂娜·帕克,斯科特·黑茲,艾倫·S·金,Laurie Cummings,埃里克·斯達(dá)克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan瘋狂動物城2
金妮弗·古德溫,杰森·貝特曼,關(guān)繼威,福瓊·費(fèi)姆斯特,安迪·薩姆伯格,大衛(wèi)·斯特雷澤恩,伊德瑞斯·艾爾巴,夏奇拉,帕特里克·沃伯頓,昆塔·布倫森,內(nèi)特·托倫斯,邦妮·亨特,唐·雷克,麥考利·卡爾金,布蘭達(dá)·宋,莫里斯·拉馬奇,莉亞·萊瑟姆,雷蒙德·S·佩爾西,珍妮·斯蕾特,丹尼·特雷霍,馬克·史密斯,湯米·利斯特,讓·雷諾,塞西莉·斯特朗,朱恩·斯奎布,米歇爾·戈麥茲,戴維·法恩,約翰·雷吉扎莫,湯米·鐘,艾倫·圖代克,邁克爾·J·??怂?喬?!み_(dá)拉斯,彼得·曼斯布里奇,伊薇特·尼科爾·布朗,艾德·希蘭,同類推薦
神犬查利
A dog gains superpowers after his is abducted by aliens. Together they battle an evil cat threatening humanity while the dog becomes a famous superhero.
瀟灑先生
鄭則仕,關(guān)之琳,戚美珍,張國強(qiáng),樓南光,柏安妮,焦姣,成奎安,陸劍明,曹建南,龍?zhí)焐?劉錫賢,葉偉信,勞劍華,黃一飛,許英秀,劉玉婷,許思敏,陳穎芝 ,黃雄瀟灑是一個船員,整天在海上漂泊,一去就是幾個月,他的媽媽和小妹阿珍都很擔(dān)心他。一天,瀟灑回到家,妹妹非常驚喜,可是他的媽媽并不開心,覺得他沒有出息。瀟灑很是委屈,于是借酒消愁。阿珍和她的媽媽靠開小店為生,每天,早晨都有很多出租司機(jī)來照顧她們的生意,其中有一位司機(jī)阿光對阿珍有意思,經(jīng)常來幫助她們。一天,政府通知他們,房子半年后要撤,但是他們一時又拿不出錢去買新的房子,為了籌錢,于是一家人在阿光的幫助……
假面復(fù)仇
Marco Giallini,Edoardo Leo,Catrinel Marlon騙子離開大衛(wèi)破產(chǎn),失業(yè)& -他的女朋友。所以他開始找到騙子但是復(fù)仇并不是在他的腦海中。
咒物尋兇
格威利姆·李,卡羅琳·布萊肯,塔格·墨菲,卡羅琳·門通,史蒂夫·沃爾,喬納森·法蘭西丹妮原本和丈夫泰德正在翻修偏僻的鄉(xiāng)間別墅,卻在此地慘遭殺害,所有人都懷疑是當(dāng)?shù)鼐癫≡旱牟∪怂鶠椋驗樘┑抡窃撛旱囊幻t(yī)生。然而,案發(fā)后不久,嫌疑人就被發(fā)現(xiàn)死亡。一年后,丹妮的雙胞胎盲妹達(dá)茜(Darcy),一個自稱通靈者和詛咒物品收藏家的人,意外拜訪了泰德和他的新女友雅娜。達(dá)茜深信她姐姐的謀殺案遠(yuǎn)比人們知道的要嚴(yán)重得多,因此她帶來了她收藏的最危險的詛咒物品,以幫助她復(fù)仇。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster